Artist Insider: Randy Lee Cutler and Andrew Rewald at National Art School for NIRIN, 22nd Biennale of Sydney

Artist Insider: Randy Lee Cutler and Andrew Rewald at National Art School for NIRIN, 22nd Biennale of Sydney

Canadian artist Randy Lee Cutler and Australian artist Andrew Rewald worked together for 18 months from opposite sides of the world to create a collaborative installation for NIRIN at the National Art School in Sydney. Randy lives in Vancouver while Andrew is based on the NSW north coast in Mullumbimby.

Spread through three rooms in the school’s historic Chapel, their joint work Mineral Garden delves into the secret life of plants and minerals, core areas of interest for both artists.

They also each have separate works as part of NIRIN, the 22nd Biennale of Sydney. Andrew built Alchemy Garden from scratch last year onsite at NAS, a community garden with edible plants which has flourished while being tended to by a team of local residents.

Randy’s project, Mineral Collection, includes her collage works exploring the presence of minerals in our daily environments.

Randy and Andrew were both scheduled to present public talks and tours as part of NIRIN, but these were cancelled due to coronavirus.

Due to regulations for the National Art School as a tertiary institution, the campus remains closed to the general public. Randy and Andrew’s installation, and other Biennale artworks commissioned for NIRIN and first exhibited at NAS in March, have been transferred to Carriageworks at Eveleigh, where they can be seen from 7 August to 26 September, 2020.

In this interview they talk about the profound professional and personal connections they made during their collaboration, the frustrations of remote curation, and their surprise when they first met in person late last year.

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Opening night: The Neighbour at the Gate 

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.
Burned trees build no homes. 

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
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Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.
This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Support our EOFY campaign via the link in bio and help us to break down barriers to art education.
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