Artist Insider: Tasmanian artist Lucienne Rickard at National Art School for NIRIN, 22nd Biennale of Sydney

Artist Insider: Tasmanian artist Lucienne Rickard at National Art School for NIRIN, 22nd Biennale of Sydney

Tasmanian artist Lucienne Rickard spoke to NAS recently from self-isolation at her home in Franklin. Lucienne brought her year-long project Extinction Studies to the National Art School in March for the opening week of NIRIN, the 22nd Biennale of Sydney.

Since September 2019, Lucienne has been performing in public, drawing recently extinct animals from the International Union for Conservation of Nature’s Red List of Threatened Species. As soon as she finishes each intricately detailed drawing, she erases it, and starts another extinct animal on the same sheet of paper.

Commissioned by the Detached Cultural Organisation, based in Hobart, Extinction Studies has featured animals lost from around the world, including the Australian Big Eared Hopping Mouse and the Chinese Paddlefish – Lucienne erased both during her week at NAS.

Due to regulations for NAS as a tertiary institution, the campus remains closed to the general public. Lucienne’s installation, and other Biennale artworks commissioned for NIRIN and first exhibited at NAS in March, have been transferred to Carriageworks at Eveleigh, where they can be seen from 7 August to 26 September, 2020.

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Opening night: The Neighbour at the Gate 

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

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