Art Guide: Neridah Stockley’s deconstructed landscape

Art Guide: Neridah Stockley’s deconstructed landscape

2021-10-26

Article by Andrew Stephens

Over the past decade, Alice Springs-based Neridah Stockley has enjoyed several art residencies in Fremantle, Western Australia. There, she has become well-acquainted with the natural beauty of the port city at the mouth of the Swan River. In her paintings, drawings, prints, and her more recent foray into ceramic work, she has studied the area’s topography and waterfronts, as well as its history.

“… my training at the National Art School formed my approach to colour. However, through the discipline of monochrome, I can introduce more ‘outrageous’ colours if you like… allowing colour to have its own life and expression.” – Neridah Stockley

Read more through the link below.

Image: Neridah Stockley, Back of a house, oil on hardboard, 2014, 30 x 25 cm. Collection of the artist.

This holiday season, give the gift of creativity.

Whether your loved one is eager to begin their artistic journey, or they wish to continue learning and making art, a National Art School Gift Card will help them unlock their creative potential.

Give a gift that inspires. Buy a National Art School Gift Card today.

Learn more at the link in bio.

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Dec 19

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This holiday season, give the gift of creativity. Whether your loved one is eager to begin their artistic journey, or they wish to continue learning and making art, a National Art School Gift Card will help them unlock their creative potential. Give a gift that inspires. Buy a National Art School Gift Card today. Learn more at the link in bio.

Congratulations to all HSC students receiving their end of year results today! And to our future students, we look forward to meeting you in 2025.

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Dec 17

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Congratulations to all HSC students receiving their end of year results today! And to our future students, we look forward to meeting you in 2025.

A selection of works by our graduating BFA students currently on show at The Grad Show, on until 15 December at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Kaela Jacobs, ‘Tough. (A series of delicate things. I am one of them.)’, 2024, aluminium, silver keyrings, synthetic hair, rivets, 121 x 90 cm
Ellie Pamp, ‘Untitled (Faun series) #2’, 2024, oil on wood board, 20 x 25 cm
Ksenia Kirkbride, ‘Serpent`s Cycle, The Path to Wisdom’, 2024, oil on linen, 100 x 100 cm
James Stewart, ‘sandcastles (mound)’, 2024, terracotta, white earthenware slip, 50 x 49 x 50 cm
Jodie McGill, ‘In conversation with Les’, 2024, oil on Belgium linen, 122 x 91.5 cm
Mitchell Timms, ‘Garden of Odd’, 2024, watercolour and graphite drawing, 21 x 15 cm
Dean O’Brien, ‘The Dear Repose For Limbs With Travel Tired’, 2024, oil on canvas, 91 x 61 x 4 cm
Chaya Atkins, ‘Veil’, 2024, oil on canvas, 80 x 100 cm
Alba Stephen, ‘Small Size Me (CMYK edition)’, 2024, screenprint with acrylic on paper, 19 x 19 cm
Bronte O’Shannessy, ‘Warmth’, 2024, mixed media, 70 x 70 cm

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Dec 13

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A selection of works by our graduating BFA students currently on show at The Grad Show, on until 15 December at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Jacinta Robinson, ‘Sacred Hollow’, 2024, acrylic on raw canvas, 122 x 152 cm
Harriet Clark, ‘Mum21’, 2024, glazed stoneware, 46 x 24 x 24 cm
Libby Moore, ‘Keep me safe’, 2024, plaster of paris, 26 x 14 x 7cm (boxed)
Jeremy Rotenstein, ‘Rose Metal’, 2024, cast metal and sandstone, 38 x 32 x 7 cm
Harrison Chao, ‘Node 4 (Open)’, 2024, oil on canvas, 90 x 120 cm
Gitte Backhausen, ‘Repercussions’, 2024, acrylic on found wooden pegboard, 90 x 60 cm
Gabriel Suni Sallo, ‘Plaza de Armas II’, 2024, acrylic and oil on wooden panel, 120 x 107 x 2.5 cm
Ariel Filler, ‘Pop and Skip’, 2024, oil, acrylic, dry pigment and glue on canvas, 110 x 97 x 2 cm
Sevgi Yilmaz, ‘Residue’, 2024, spray paint on dropcloth, 80 x 45.5 cm
Shauna Carroll, ‘Sacrifice of Andromeda’, 2024, oil on board, 90 cm

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Dec 13

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A selection of works by our graduating BFA students currently on show at The Grad Show, on until 15 December at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Francisca Carrasco-Reyes, ‘Bleeding Light’, 2024, latex on stretched polyester, 74 x 49.5 cm
Samira El Chami, ‘Fruits’, 2024, glazed stoneware, 8.5 x 18.2 x 15.5 cm
Grace Buckley, ‘Blossom’, 2024, canvas, upholstery, fringe, pins, 70 x 41 cm
Harriet Brealey, ‘Wraith’, 2024, etching on Fabriano Rosapina, 49.5 x 35 cm
Ruby McVicar, ‘Go (extension)’, 2024, wooden guillotine, mint pasties, licorice, brass cups, polymer clay, plastic binder, paper, 6 x 34 x 56 cm
Trey Martin, ‘Hallow Bone’, 2024, earthenware, paint, 40 x 25 x 25 cm
Stephanie Barakat, ‘Colonoscocave’, 2024, oil on canvas, 91 x 118 x 4.2 cm
Karim Fares, ‘Pipes’, 2024, plywood, construction adhesive, acrylic paint, spray paint, alcohol markers, PVA, collected stickers, superglue, collected tiles, PVC piping, prop rubber mouse, 20 x 24.5 cm
Olivia Lindgaard, ‘Modern Prey’, 2024, found wood, 165 x 150 x 60 cm
Chloe Lane, ‘Mighty Atom, 2024, oil and acrylic on canvas, 122 x 91 cm

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Dec 13

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On Tuesday 10 December, the National Art School celebrated the achievements and success of our students through awarding of prizes and scholarships. We would like to congratulate the award recipients for their hard work and thank our lecturers and technicians for their outstanding dedication and commitment to each and every student.

All of the prizes and scholarships awarded have been generously provided by our benefactors and sponsors, and we also thank you for your support.

Major Prize winners (pictured left to right): Oliver Abbott, Caleb Slater, Megan McKenzie, Freyja Fristad, Sarah R. Serfati, Ellen McCalmont, Benjamin Akuila, Chile Bainbridge, Elena Larkin. Photography by Peter Morgan.

View the full list of awards and recipients at the link in bio.

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Dec 11

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Art Guide: Neridah Stockley’s deconstructed landscape