Keg de Souza

Keg de Souza

Wednesday 28 May
12.45 – 1.30pm
Black Theatre

Plants have always moved over and between land masses, transported both intentionally and inadvertently from their native lands to new ones. The spread has accelerated over the past few hundred years through European colonial expansion, massively altering ecosystems. We now live in a world where the legacy of colonialism on land and landscape through this movement of plants has left lasting impacts, many of which have propelled us towards climate crisis. 

Keg will speak about some recent projects examining various plant narratives such as,the pedagogical potential of plants through a sculptural learning garden,the repatriation of Indigenous knowledge through an explorationof colonial archives,and the movement of plants through empire for colonialexpansion.  

Keg de Souza is an artist of Goan ancestry who lives and works on unceded Gadigal land in Sydney. Architecturally trained, she creates social and spatial environments, making reference to her lived experiences of squatting and organising with projects that use plant and food politics, temporary architecture, publishing and radical pedagogy. De Souza draws from personal experiences of colonialism – from her own ancestral lands being colonised to living as a settler on other peoples’ unceded lands – to inform her layered projects that centre marginalised voices and lesser-known stories for learning about Place. Keg has made projects for Inverleith House, Royal Botanic Garden Edinburgh; ACCA; Arts House; South London Gallery; Artspace, Sydney; Setouchi Triennale; Biennale of Sydney; Contemporary Art Gallery, Vancouver; Delfina Foundation, London; Atlas Arts, Isle of Skye; Auckland Triennial and Jakarta Biennale. 

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We are pleased to announce that applications are now open for the Prudence MacLeod Prize. 

The Prudence MacLeod Prize, which will continue for a further three years, supports a recent National Art School graduate to undertake a six-month residency at @acme.art, London.

Supported by the Lansdowne Foundation, the Prize provides an emerging artist with an opportunity to step forward into an expanded, international context at a vital time in their career. The artist will live and work in London, one of the world's great art cities, in a supportive artist community. This important opportunity will enable the artist to forge professional international contacts, explore London's art world and rich cultural resources, and produce a new body of work.

The recipient of this Prize will receive:
– Return travel to London. To be arranged for the artist by NAS.
– Studio accommodation and workspace at Acme Studios for 6 months.
– Living stipend of $AUD3,500 per month for 6 months. Total $AUD21,000.

Application deadline: Sunday 1 February 2026, 11.59pm
Residency: Monday 6 July – Friday 18 December 2026

The Prudence MacLeod Prize is open to eligible NAS alumni who have graduated within the past five years and meet the selection criteria.

Learn more 🔗 in bio. 

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Acme Fire Station, 30 Gillender Street, 1999 © Acme Archive
Thank you to everyone who joined us at the opening of The Grad Show!

Find works by this year's cohort exhibited throughout the NAS campus until 14 December. Open daily from 11am — 5pm and until 9pm on Fridays. 

View online via 🔗 in bio.

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Video: Tim Connolly
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