Alumni

As the longest continuing art school in Australia, the National Art School has a substantial and impressive cohort of alumni who have contributed to the history of Australian art and continue to influence contemporary art practice. Our alumni are represented in the most prestigious collections around the world, from the Tate in the UK and the Stedelijk Museum in Amsterdam, MoMA and the Solomon R. Guggenheim in New York, to all Australian state and the national galleries.

Graduates of National Art School who continue to enjoy outstanding success include Fiona Hall AO who represented Australia at the 2015 Venice Biennale of Art, 2012 Archibald Prize winner Tim Storrier and contemporary ceramicist Juz Kitson, who was selected to exhibit in Primavera: Young Australia Artists at the Museum of Contemporary Art Australia in 2013.

Below is a sample of some of our most esteemed alumni from the 1920s till the present day.

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Check out a selection of alumni, staff and student exhibitions on this month around Australia and the world here.

 

Key Alumni

1920s – Jean Broome, Lyndon Dadswell, Elaine Haxton AM, Frank Hinder, Arthur Murch, Joshua Smith, Barbara Tribe

1930s – Jean Appleton, Max Dupain OBE, AC, James Gleeson, Lorna Nimmo, Rosaleen Norton, Dorothy Thornhill

1940s – Tom Bass, Charles Blackman, John Coburn AO, Kevin Connor, Mollie Douglas, Bert Flugelman AM, Norman Hetherington OAM, Robert Klippel AO, Margaret Olley AC, Elizabeth Rooney, Peter Rushforth AM, Tony Tuckson, Guy Warren AM

1950s – Yvonne Audette, Les Blakebrough AM, Vivienne Binns, Ted Binder, Elisabeth Cummings OAM, Ken Done, Margaret Fink, Michael Johnson, Colin Lanceley, Keith Looby, John Olsen AO OBE, Roslyn Oxley OAM, Robert Owen, Mike Parr, Ann Thomson, Brett Whiteley, Wendy Whiteley OAM, William Wright AM

1960s – Bill Brown, Vivienne Binns OAM, Geoffrey Bardon AM, Richard Goodwin, Ian Howard, Colin Lanceley AO, Janet Mansfield OAM, Alan Oldfield, Peter Powditch AM, Bill Samuels, Ron Robertson-Swann OAM, Martin Sharp, Garry Shead, Tim Storrier AM, Ken Unsworth AM

1970s – Dr Philip Batty, Cressida Campbell, Merilyn Fairskye, Fiona Hall AO, Paul Hopmeier, Jan King, Marie McMahon, Reg Mombassa/Chris O’Doherty, Susan Norrie OAM, Julie Rrap, Michael Snape, Thancoupie AO, Anne Zalhalka

1980s – Fiona Foley, Adrienne Gaha, Peter Godwin, Ildiko Kovacs, Tim Maguire, Idris Murphy, Joan Ross, Louise Tuckwell

1990s – Lucy Culliton, Karla Dickens, Alan Jones, Fiona Lowry, Adam Rish, Luke Sciberras, Craig Waddell

2000s – Mitch Cairns, Jumaadi, Juz Kitson, Alesandro Ljubicic, Guy Maestri, Leslie Rice, Coen Young, Shonah Trescott, Justine Varga

2010–2015 – Sophie Cape, Todd Fuller, Mason Kimber, Michael McIntyre, Lucy O’Doherty, Catherine O’Donnell, Georgia Saxelby, Elyssa Sykes-Smith

2015–2020 – Eliza Gosse, Kirtika Kain, Dani Mackenzie, Ebony Russell, Natasha Walsh

 

VALE

The National Art School has been the training ground for some of Australia’s most significant and respected artists. On this page we recognise and pay homage to our alumni who have passed away recently.

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Opening night: The Neighbour at the Gate 

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.
Burned trees build no homes. 

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
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Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.
This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Support our EOFY campaign via the link in bio and help us to break down barriers to art education.
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