AHT273 Podcast Showcase

AHT273 Podcast Showcase

2020-12-01

For one of their assessments in our Art History & Theory elective The Object Sensorium: Material Culture in Context, students were tasked with recording a 5-minute biography on an object of their choice.

Using one of the five senses (touch, smell, taste, sound, or sight) as an investigative frame, students analysed of one aspect of their object. Potential aspects explored include use/function, history, production, design, material features, aesthetic properties, collection, consumption, display and more.

Tune in to some of the brilliant responses below.

Julie Edgar

clove orange pomander

Katrina Smith

Japanese teabowl

Liam Taylor

Swiss Army Knife

Sarah Mugnes

Chocolate

Amber Bolton

Music Box

Bronwyn Vaughan

Sugar

Heather Tulk

Apple Pie

Images (top to bottom, left to right): Clove Orange Pomander – “Pomander: clove-studded orage” by Pille – Nami-nami [licensed under CC BY-NC-SA 2.0]; Tea Bowl – Photo by Katrina Smith; Swiss Army Knife – “Victorinox ‘Swiss Army Knife’ Climber” by CapCase [is marked with CC0 1.0]; Chocolate – public domain; Music Box – “13_Trip03” by anyajew [licensed under CC BY-NC-ND 2.0]; Sugar – “Wooden Spoon With White Sugar / Weißer Zucker” by wuestenigel [licensed with CC BY 2.0.)]; Apple Pie – “homemade American apple pie” by invisible_helicopter [licensed under CC BY-NC 2.0].

‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025, is now open until Saturday 8 March.

Curated by Dr Liz Bradshaw, with work by artists Kika Kereru Baker, Daniel Browning, Sam Chan, Blake Griffiths, Frankie L.A, nikita lelu, r e a, Victoria Spence, Jake Starr, Ali Tahayori, Magic Young and Justine Youssef.

Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance. Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being.

11am – 5pm Monday to Saturday
Building 25 Project Space
Free admission, all welcome

View

Feb 17

Open

Thank you to everyone who attended the opening night of ‘Queer Contemporary: Chaosophy’

‘Chaosophy’ is now open until Saturday 8 March
11am – 5pm Monday to Saturday
Building 25 Project Space
Free admission, all welcome

Learn more about the exhibition at the link in bio.

View

Feb 14

Open

NAS Library is proud to launch their 2025 Library Stairwell Gallery programming with this years LSG show for Queer Contemporary, ‘Subtexts’, opening this Thursday 13 February.

‘Subtexts’ unites four artists whose work demonstrates the complexities of queer identity, each considering their own personal relationship with queerness. The show offers alternative narratives and styles that challenge notions of queer uniformity, opting to explore the undertones and implications of queerness as a dislocated front.

‘Subtexts’ asks of the ambiguous term; Are we united by virtue of our difference, or rather the unique positions it presents us?

Featuring works by
@professional__disoppointment
@sarah_r_serfati
@theolathouras
@ziggywoodartist

View

Feb 9

Open

Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance in ‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025.

Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being.

Opening night Thursday 13 February, with special guests Swamp Daisies.

RSVP at link in the bio.
—
Sam Chan, ‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

Ali Tahayori, ’The four elements: fire, earth, water, air (detail)’, 2022, hand cut mirrors plaster on wood, image courtesy and © the artist, photograph: Daniel Kukec Photography

nikita lelu, ’I drip into a bath and drift’, 2024, glazed mid-fire paperclay, underglaze, terra sigillata, silver, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt Photography)

Magic Young, ‘Evulva’, 2024, nylon, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

View

Feb 6

Open

Three generations of queer artists make and break language across the intersections of art, activism, poetry and performance in ‘Queer Contemporary: Chaosophy’, as part of Mardi Gras 2025. Through their individual aesthetics and distinct voices, together the artists disrupt histories, languages, conventional silences and institutional spaces, using and queering language to propose alternate perspectives on and interpretations of identity and ways of being. Opening night Thursday 13 February, with special guests Swamp Daisies. RSVP at link in the bio.
—
Sam Chan, ‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt) Ali Tahayori, ’The four elements: fire, earth, water, air (detail)’, 2022, hand cut mirrors plaster on wood, image courtesy and © the artist, photograph: Daniel Kukec Photography nikita lelu, ’I drip into a bath and drift’, 2024, glazed mid-fire paperclay, underglaze, terra sigillata, silver, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt Photography) Magic Young, ‘Evulva’, 2024, nylon, image courtesy and © the artist, photograph: Jennifer Leahy (Silversalt)

We’re looking for an Exhibitions Project Officer!

The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces.

You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience.

Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW.

Application deadline extended to Sunday 9 February.

Apply at the link in bio.
—
Ronan Pirozzi, `Serpentine`, 2023; `Trajectory`, 2023; `Desolate`, 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley

View

Feb 2

Open

We’re looking for an Exhibitions Project Officer! The role has a focus on major Indigenous exhibition projects currently in development for the National Art School as well as touring programs. The role assists with the delivery and coordination of Gallery programs, talks, and other events in the gallery spaces. You have a background in visual art, art history, curatorship and gallery experience. You have excellent interpersonal and communication skills, along with strong organisational and project management experience. Note this is an Identified Role and is open to Aboriginal and/or Torres Strait Islander applicants only, in accordance with Section 14(D) of the NSW Anti-Discrimination Act, 1977 NSW. Application deadline extended to Sunday 9 February. Apply at the link in bio.
—
Ronan Pirozzi, 'Serpentine', 2023; 'Trajectory', 2023; 'Desolate', 2023; installation view, undo the day, NAS Gallery, Sydney, 2024, oil on welded steel, image courtesy and © the artist, photograph: Zan Wimberley

The National Art School has today announced respected Australian academic, writer and curator Dr Kristen Sharp as the next Director and Chief Executive Officer.

Kristen joins the National Art School with extensive experience in the fields of contemporary art and tertiary education having spent six years as Associate Dean Discipline, Art in the School of Art at RMIT University, and previously 9 years as Academic Lead Art History and Theory at RMIT. She will commence her new role at the National Art School on 24th February 2025.

Read the full media release at the link in bio.

View

Jan 30

Open

AHT273 Podcast Showcase