AFR: Why this Sydney Biennale is the edgiest yet

AFR: Why this Sydney Biennale is the edgiest yet

2020-03-19

Article by Michael Bailey

The Australian Financial Review delve deep into the meaning behind the 22nd Biennale of Sydney: NIRIN, with mention of National Art School featured artists Teresa Margolles and Lucienne Rickard of Adrift Lab.

Image: Lucienne Rickard. Photo: Peter Morgan

AFR: Why this Sydney Biennale is the edgiest yet

AFR: Why this Sydney Biennale is the edgiest yet

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THE NATIONAL ART SCHOOL ACKNOWLEDGES THE GADIGAL PEOPLES OF THE EORA NATIONS, THE TRADITIONAL OWNERS ON WHOSE LANDS, WATER AND SKIES WE MEET AND SHARE.

WE PAY OUR RESPECTS TO ALL GADIGAL ELDERS, PAST AND PRESENT, AND CELEBRATE THE DIVERSITY, HISTORY AND CREATIVITY OF ABORIGINAL AND TORRES STRAIT ISLANDER PEOPLES.

AFR: Why this Sydney Biennale is the edgiest yet

AFR: Why this Sydney Biennale is the edgiest yet

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