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Harry de Vries and Emryn Ingram-Shute

Art Forum

Harry de Vries and Emryn Ingram-Shute

by

Wednesday 7 May
12.45 – 1.30pm
Cell Block Theatre

International residencies provide a unique opportunity to develop your practice and studies in a global centre of artistic excellence. This experience enables you to immerse yourself in a new arts context, market, community and culture. This Art Forum will feature recent recipients of two major NAS residencies: Emryn Ingram Shute (La Cité Internationale des Arts, Paris) and Harry de Vries (The British School in Rome).

The three-month residency at La Cité Internationale des Arts offers a recent NAS Graduate or Academic staff member the opportunity for dedicated focus on their practice in the heart of Paris. There are four three-month residency periods on offer each calendar year. In partnership with over 130 French and international organisations, the Cité welcomes more than 300 artists each month from a wide range of disciplines. The British School at Rome is a centre of interdisciplinary research excellence, supporting the full range of arts, humanities and social sciences. This annual residency offers a recent NAS MFA or DFA Graduate, or academic staff member, the opportunity to live and work in a catered en-suite studio for 3 months (generally April to June), as part of an international research community of artists, academics, fellows and staff. The British School at Rome was founded in 1901 and is just north of Rome’s historic centre in the Valle Giulia.

Emryn Ingram-Shute (Cité Recipient) is an emerging sculptor who works across multiple disciplines. Considering her own affective reactions and vulnerabilities, she uses humour and play to address socio-political inequities with intuitive combinations of found objects and created forms. At its heart, her practice seeks to interrogate power structures embedded within objects to reveal how our relationship to materiality is not neutral but intimately layered. She has recently returned from the awarded Onslow Storrier NAS Cité des Arts residency in Paris. Represented by the Dominik Mersch Gallery, her works are held in private collections across Australia.

Harry de Vries (BSR Recipient) is an artist and writer based on Gadigal and Wangal land in Sydney, Australia. His creative practice is situated in the tension between the material of daily life and simulacra: objects are brought into the studio and extended through processes of replication, casting, or reproduction, before being returned into the ‘real world’ as installations alongside found objects. The resulting work undermines the necessity of everyday life and generates a kind of ‘thin place’ where new ways of being in and seeing the world are possible. He holds a BFA and MFA from NAS. In 2021, he was awarded the Clitheroe Scholarship and the Brandon Trakman Prize, and in 2023, the British School at Rome Residency Award. In 2024, he was a co-director on the board 2024 of Schmick Contemporary, an artist-run initiative in Haymarket.

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Art Club is our high school student program for 15-17 year olds, designed to enhance and extend students’ technical, conceptual, and intellectual skills, through intensive practical study in the disciplines offered at NAS as well as engaging in an experience of our studios and campus, under the expert direction of experienced artists.

Set your child on a creative path with Art Club.

Learn more at the link in bio.

View

Apr 15

Open
Art Club is our high school student program for 15-17 year olds, designed to enhance and extend students’ technical, conceptual, and intellectual skills, through intensive practical study in the disciplines offered at NAS as well as engaging in an experience of our studios and campus, under the expert direction of experienced artists. Set your child on a creative path with Art Club. Learn more at the link in bio.

Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee.

The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025
11am – 5pm Monday to Saturday
NAS Gallery
Free admission, all welcome

Learn more about the exhibition at the link in bio.

View

Apr 11

Open
Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee. The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025 11am – 5pm Monday to Saturday NAS Gallery Free admission, all welcome Learn more about the exhibition at the link in bio.

We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000.

Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life.

The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.”

See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery
—
Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan

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Apr 10

Open
We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000. Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life. The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.” See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery — Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan

Introducing the National Art School Short Courses Program from July–December 2025

Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels.

Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October.

Learn more and enrol at the link in bio.

View

Apr 10

Open
Introducing the National Art School Short Courses Program from July–December 2025 Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels. Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October. Learn more and enrol at the link in bio.

Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm.

Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages.

Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world.

Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter.

Purchase your tickets to the symposium at the link in bio.
—
Pia van Gelder, `sans PCB`, 2021, performance, Collings Creative, image courtesy and © the artist

View

Apr 6

Open
Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm. Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages. Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world. Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter. Purchase your tickets to the symposium at the link in bio. — Pia van Gelder, 'sans PCB', 2021, performance, Collings Creative, image courtesy and © the artist
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