Prudence MacLeod Prize Announcement

Prudence MacLeod Prize Announcement

The National Art School is delighted to announce rising multi-disciplinary artist Anna Mould as the first ever winner of a prestigious international artist residency program, the Prudence MacLeod Prize, located at Acme Fire Station Studios, London.

One of the most significant international residency programs in Australia, the Prudence MacLeod Prize supported by the Lansdowne Foundation, provides an unparalleled opportunity for an emerging artist at the precipice of their artistic career, who has recently graduated from NAS, to immerse themselves in London, one of the world’s most vibrant and diverse artistic communities.

The residency, spanning a period of six months, provides a dedicated studio space and accommodation at Acme’s Fire Station building located in the heart of London, international flights and a stipend to cover living expenses during the residency period. With a focus on pastoral care, a new Residency Program Coordinator based at the National Art School will support the artist in the lead up to their residency and work in liaison with Acme’s Artist support officers during their time in London.

As the inaugural Prudence MacLeod Prize winner, Anna Mould will join an artist community, with space and support to develop her artistic practice and expand her professional international networks. She will also have the opportunity to showcase her work in a public outcome at the end of the program.

Since graduating with a Master of Fine Art from National Art School last year, Anna Mould has been a 2024 Archibald Prize finalist, held her first solo exhibition at Dominik Mersch Gallery, Sydney, and exhibited at Sydney Contemporary with Praxis Artspace, Adelaide.

Engaging with a range of media including embroidery, painting, weaving and photography, Anna Mould’s practice explores complex social, cultural and political themes. Using a technique akin to collage, she creates visual and conceptual juxtapositions between historical and contemporary references, that aim to conjure an acknowledgement of one’s location in time and space as a part of greater global human history. Recurring themes in her work include; hierarchies of fine art and decorative art; the gendered associations of textile art; and the ways in which certain artforms have been used to express specific political ideas.

Image credit: Anna Mould, ‘The Damned, Tambaroora NSW’, 2023, machine embroidery and acrylic on canvas, 50 x 50 cm
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Opening night: The Neighbour at the Gate 

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.
Burned trees build no homes. 

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
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Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.
This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Support our EOFY campaign via the link in bio and help us to break down barriers to art education.
In June, we celebrate World Pride Month. Like many other culturally significant times, it’s a month that’s meaningful to our community and the Oxford precinct we are part of. 

In 2015, NAS alum Todd Fuller (@fuller_todd) sent members of the public black and white drawings depicting two men engaged in a passionate kiss. The participants were encouraged to respond to the image by colouring in the figures, with the resulting images compiled by Fuller into a mixed media video animation. 

Fuller gifted this work to the National Art School Collection, a collection that performs a major role within the National Art School as both a teaching resource and a historical record. Visit our website to find out more about the works in our collection.

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Todd Fuller, ‘The Unite Project - 3rd generation ‘, 2015, mixed media animation, colour and sound, 13.35 mins loop; image courtesy the artist and National Art School © Todd Fuller. From the National Art School Collection - Gift of Todd Fuller.
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