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Prudence MacLeod Prize Announcement

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Prudence MacLeod Prize Announcement

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The National Art School is delighted to announce rising multi-disciplinary artist Anna Mould as the first ever winner of a prestigious international artist residency program, the Prudence MacLeod Prize, located at Acme Fire Station Studios, London.

One of the most significant international residency programs in Australia, the Prudence MacLeod Prize supported by the Lansdowne Foundation, provides an unparalleled opportunity for an emerging artist at the precipice of their artistic career, who has recently graduated from NAS, to immerse themselves in London, one of the world’s most vibrant and diverse artistic communities.

The residency, spanning a period of six months, provides a dedicated studio space and accommodation at Acme’s Fire Station building located in the heart of London, international flights and a stipend to cover living expenses during the residency period. With a focus on pastoral care, a new Residency Program Coordinator based at the National Art School will support the artist in the lead up to their residency and work in liaison with Acme’s Artist support officers during their time in London.

As the inaugural Prudence MacLeod Prize winner, Anna Mould will join an artist community, with space and support to develop her artistic practice and expand her professional international networks. She will also have the opportunity to showcase her work in a public outcome at the end of the program.

Since graduating with a Master of Fine Art from National Art School last year, Anna Mould has been a 2024 Archibald Prize finalist, held her first solo exhibition at Dominik Mersch Gallery, Sydney, and exhibited at Sydney Contemporary with Praxis Artspace, Adelaide.

Engaging with a range of media including embroidery, painting, weaving and photography, Anna Mould’s practice explores complex social, cultural and political themes. Using a technique akin to collage, she creates visual and conceptual juxtapositions between historical and contemporary references, that aim to conjure an acknowledgement of one’s location in time and space as a part of greater global human history. Recurring themes in her work include; hierarchies of fine art and decorative art; the gendered associations of textile art; and the ways in which certain artforms have been used to express specific political ideas.

Learn more about the Prudence MacLeod Prize
Image credit: Anna Mould, ‘The Damned, Tambaroora NSW’, 2023, machine embroidery and acrylic on canvas, 50 x 50 cm
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Ever wondered what it’s like studying at the National Art School?

Find out at our Open Day on Saturday 6 September, 10am to 4pm.

Considering art as a career or simply curious about what happens behind the school’s historic sandstone walls? Save the date on Eventbrite (link in bio) to see what life is like for students at NAS by participating in studio demonstrations, chatting to our academic staff and visiting the NAS Gallery and student exhibition spaces across our campus.

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Jul 30

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Ever wondered what it’s like studying at the National Art School? Find out at our Open Day on Saturday 6 September, 10am to 4pm. Considering art as a career or simply curious about what happens behind the school’s historic sandstone walls? Save the date on Eventbrite (link in bio) to see what life is like for students at NAS by participating in studio demonstrations, chatting to our academic staff and visiting the NAS Gallery and student exhibition spaces across our campus.

The National Art School was saddened to hear of the recent death of artist and NAS alumnus Bruce Goold (1948-2025).

Born in Newcastle in 1948, from 1961- 65 Bruce attended Sydney Grammar School, where he studied art with ceramicist and potter Gordon McCausland. This was followed by a year at the National Art School, Newcastle. Here he experimented with various mediums and made his first linocut. He then studied at the National Art School, c. 1967-68.

Bruce was a member of the artist collective Yellow House between 1970-72. The former Clune Gallery in Kings Cross was transformed by Martin Sharp and a group of fellow artists, who painted the exterior bright yellow and covered its internal walls with murals, portraits and decoration. Artists such as Brett Whiteley, Peter Wright, Bruce Goold, Greg Weight and Peter Kingston turned the building into an artwork, while visiting bands and celebrities made it a regular fixture of the Sydney scene.

Known principally as a printmaker, Goold created coloured linocuts and woodblocks including many images of Australian flora and fauna, as well as South Pacific inspired esoteric and symbolic subjects. He held solo exhibitions in Sydney, Melbourne and internationally in London and Ireland. He received major commissions for poster, logo and interior design and worked as a designer for Mambo from 1992.

A retrospective exhibition, Bruce Goold, Artist, Designer, Printmaker, curated by Therese Kenyon, was held at Manly Art Gallery & Museum in 2008.
The National Art School extends its sympathies to Bruce’s family and many friends.
—
Greg Weight, `Bruce Goold`, 1998, NAS Collection

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Jul 28

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The National Art School was saddened to hear of the recent death of artist and NAS alumnus Bruce Goold (1948-2025). Born in Newcastle in 1948, from 1961- 65 Bruce attended Sydney Grammar School, where he studied art with ceramicist and potter Gordon McCausland. This was followed by a year at the National Art School, Newcastle. Here he experimented with various mediums and made his first linocut. He then studied at the National Art School, c. 1967-68. Bruce was a member of the artist collective Yellow House between 1970-72. The former Clune Gallery in Kings Cross was transformed by Martin Sharp and a group of fellow artists, who painted the exterior bright yellow and covered its internal walls with murals, portraits and decoration. Artists such as Brett Whiteley, Peter Wright, Bruce Goold, Greg Weight and Peter Kingston turned the building into an artwork, while visiting bands and celebrities made it a regular fixture of the Sydney scene. Known principally as a printmaker, Goold created coloured linocuts and woodblocks including many images of Australian flora and fauna, as well as South Pacific inspired esoteric and symbolic subjects. He held solo exhibitions in Sydney, Melbourne and internationally in London and Ireland. He received major commissions for poster, logo and interior design and worked as a designer for Mambo from 1992. A retrospective exhibition, Bruce Goold, Artist, Designer, Printmaker, curated by Therese Kenyon, was held at Manly Art Gallery & Museum in 2008. The National Art School extends its sympathies to Bruce’s family and many friends. — Greg Weight, 'Bruce Goold', 1998, NAS Collection

Got a young artist at home?

Art Club Term 3 is now open for enrolment — and we’ve got an exciting painting program lined up. This term, kids will explore styles like Expressive Acrylics and Contemporary Watercolour, all while building their confidence and creativity.

Monday afternoons, led by artist and educator Grant Bellamy.

Visit the link in bio to learn more and enrol.

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Jul 17

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Got a young artist at home? Art Club Term 3 is now open for enrolment — and we’ve got an exciting painting program lined up. This term, kids will explore styles like Expressive Acrylics and Contemporary Watercolour, all while building their confidence and creativity. Monday afternoons, led by artist and educator Grant Bellamy. Visit the link in bio to learn more and enrol.

Thank you to everyone who attended the opening night and weekend celebrations for The Neighbour at the Gate.

The Neighbour at the Gate is now open until Saturday 18 October 2025
11am – 5pm Monday to Saturday
NAS Gallery
Free admission, all welcome

Plan your visit at the link in bio.

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Jul 15

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Thank you to everyone who attended the opening night and weekend celebrations for The Neighbour at the Gate. The Neighbour at the Gate is now open until Saturday 18 October 2025 11am – 5pm Monday to Saturday NAS Gallery Free admission, all welcome Plan your visit at the link in bio.
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