The Design Files talks to NAS alumna Eliza Gosse in her studio

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The Design Files talks to NAS alumna Eliza Gosse in her studio

2023-03-09

by Danielle Neely

The Sydney-based artist attributes her appreciation of buildings and design to her year of studying architecture at university in 2013. ‘Designing wasn’t for me, however the love for it has remained.’

Instead, Eliza decided to study fine art at the National Art School, where she started exploring architecture in her painting practice.

‘They began as houses I had seen; I would photograph houses on walks around Sydney,’ Eliza explains. ‘Now they are an amalgamation of elements taken from my photographs, magazines, books, the Internet or just invented. I think as I have become more comfortable in my subject matter invention is more possible.’

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Introducing Maram Hassan Al-Zaidi @maram_hassan52, Bruno Bersten @bruno_bersten and Kika Baker @k1kakereru, three of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Maram Hassan Al-Zaidi, ‘Dance of the Soul’, 2024, raku clay, glaze, silk abaya, glass, 60 x 35 x 20cm.
Bruno Bersten, ‘Amalgam Effigies’, 2024, mixed media, 100 x 50 x 10cm.
Kika Baker, ‘Diablo Red’, 2024, bonnet and fabric, 100 x 145cm.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

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Nov 22

Open

Introducing Maram Hassan Al-Zaidi @maram_hassan52, Bruno Bersten @bruno_bersten and Kika Baker @k1kakereru, three of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Maram Hassan Al-Zaidi, ‘Dance of the Soul’, 2024, raku clay, glaze, silk abaya, glass, 60 x 35 x 20cm.
Bruno Bersten, ‘Amalgam Effigies’, 2024, mixed media, 100 x 50 x 10cm.
Kika Baker, ‘Diablo Red’, 2024, bonnet and fabric, 100 x 145cm.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

Introducing Grace Buckley @louisegracearts, Samuel Chan @__szwc, Olivia Lindgaard @olivialindgaaaard and Cooper Holland-Hughes @_cooper_hh_, four of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Grace Buckley, ‘Tassel Girl’, 2024, found stool, upholstery, pins, thread, fringe, 40 x 33 x 35cm.
Samuel Chan, ‘Embrace’, 2024, resin, stainless steel meat hook, 47 x 14.5 x 9.5cm.
Olivia Lindgaard, ‘Asphyxiated’, 2024, wood and plastic, dimensions variable.
Cooper Holland-Hughes, ‘Machine for Feeling’, 2024, found object, ceramic, dimensions variable.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

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Nov 22

Open

Introducing Grace Buckley @louisegracearts, Samuel Chan @__szwc, Olivia Lindgaard @olivialindgaaaard and Cooper Holland-Hughes @_cooper_hh_, four of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Grace Buckley, ‘Tassel Girl’, 2024, found stool, upholstery, pins, thread, fringe, 40 x 33 x 35cm.
Samuel Chan, ‘Embrace’, 2024, resin, stainless steel meat hook, 47 x 14.5 x 9.5cm.
Olivia Lindgaard, ‘Asphyxiated’, 2024, wood and plastic, dimensions variable.
Cooper Holland-Hughes, ‘Machine for Feeling’, 2024, found object, ceramic, dimensions variable.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

Introducing Trey Martin @sadisticpaintbrush, Ruby McVicar @tyropa, Nikki Poulos @nikkipoulos_ and Adelash Parsons @adelashparsons, four of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Trey Martin, ‘Effigy Peaks’, 2024, ceramic, 29 x 30 x 25cm.
Ruby McVicar, ‘Comforts’, 2024, wooden chair, stones, 100 x 45 x 45cm.
Nikki Poulos, ‘This is not an artwork’, 2024, found object, text, 110 x 40 x 40cm.
Adelash Parsons, ‘Untitled’, 2024, mixed media, dimensions variable.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

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Nov 22

Open

Introducing Trey Martin @sadisticpaintbrush, Ruby McVicar @tyropa, Nikki Poulos @nikkipoulos_ and Adelash Parsons @adelashparsons, four of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Trey Martin, ‘Effigy Peaks’, 2024, ceramic, 29 x 30 x 25cm.
Ruby McVicar, ‘Comforts’, 2024, wooden chair, stones, 100 x 45 x 45cm.
Nikki Poulos, ‘This is not an artwork’, 2024, found object, text, 110 x 40 x 40cm.
Adelash Parsons, ‘Untitled’, 2024, mixed media, dimensions variable.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

Introducing Ruby Quoyle @rubbadubbaboo.2, Amelia Rose @rrose_amelia and Jeremy Rotenstein @artofishal, three of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Ruby Quoyle, ‘Tracy’, 2024, plastic chair, wig, 83 x 49 x 52cm.
Amelia Rose, ‘Unruly Possession’, 2024, soy wax, glass, London plane tree pollen, dirt, copper, synthetic pillow, polyethylene wax, thread, cable, push pin, dimensions variable.
Jeremy Rotenstein, ‘The Eagle’, 2024, sandstone, 32 x 20 x 27cm.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

View

Nov 22

Open

Introducing Ruby Quoyle @rubbadubbaboo.2, Amelia Rose @rrose_amelia and Jeremy Rotenstein @artofishal, three of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Ruby Quoyle, ‘Tracy’, 2024, plastic chair, wig, 83 x 49 x 52cm.
Amelia Rose, ‘Unruly Possession’, 2024, soy wax, glass, London plane tree pollen, dirt, copper, synthetic pillow, polyethylene wax, thread, cable, push pin, dimensions variable.
Jeremy Rotenstein, ‘The Eagle’, 2024, sandstone, 32 x 20 x 27cm.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

Introducing Lindy Yoannidis @lindyyo and Magic Young @magicsartgallery, two of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Lindy Yoannidis, ‘Untamed’, 2024, sticks, gauze, ink, zip ties, PVA glue, dimensions variable.
Magic Young, ‘Evulva’, 2024, inflatable, 400cm x 250cm.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

View

Nov 22

Open

Introducing Lindy Yoannidis @lindyyo and Magic Young @magicsartgallery, two of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Lindy Yoannidis, ‘Untamed’, 2024, sticks, gauze, ink, zip ties, PVA glue, dimensions variable.
Magic Young, ‘Evulva’, 2024, inflatable, 400cm x 250cm.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

The National Art School is proud to present The Grad Show, 6 – 15 December 2024, our major end-of-year exhibition showcasing the work of our 2024 Bachelor of Fine Art (BFA) graduates.
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
RSVP for the Opening Night at the link in bio.

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Nov 21

Open

The Design Files talks to NAS alumna Eliza Gosse in her studio