Daily Telegraph: Qtopia Sydney remembering the HIV/AIDS epidemic through Ward 17 South

Daily Telegraph: Qtopia Sydney remembering the HIV/AIDS epidemic through Ward 17 South

by Jonathon Moran

The most traumatic event in modern queer history is being memorialised in a haunting exhibition that provides a taste of what Sydney’s first rainbow museum will offer.

Qtopia Sydney is honouring the work, lives and legacy of those who were on the frontline of the HIV/AIDS epidemic in the 1980s and 1990s at St Vincent’s Hospital’s Ward 17 South.

“The exhibition is about people,” curator and respected academic Dr Liz Bradshaw said.

“It is about the people we lost and it is about the long-time survivors, but it is also about incredible people doing incredible things for the community fighting for our lives basically and that in itself has changed our culture. There are a lot of people who would have been our friends and family today that aren’t here and it is the richness in those stories that is lost if we don’t have a complex understanding of this difficult time.”

The Ward 17 South exhibition will open on Friday at the National Art School in Darlinghurst, just metres away from the site of the original ward that was disbanded in 2007.

John Waight Qtopia Sydney board member and curator Dr Liz Bradshaw at the Ward 17 South Exhibition. Picture: Jonathan Ng

It is one of two exhibitions being launched around World Pride with the Bandstand at nearby Green Park housing Qtopia Sydney’s inaugural space.

From the first diagnosis in 1982 to the end of 2009, some 6776 people died of AIDS in Australia. Many more took their own lives.

Globally, according to the World Health Organisation, it is estimated that HIV has killed more than 40 million people to date.

The increasing effectiveness of treatments now means people with HIV can live long healthy lives. And today, medication can prevent both the progression to AIDS and the transmission of HIV. With medication, the virus becomes undetectable and therefore cannot be transmitted.

Since 2013, ACON has worked to eliminate transmission in NSW altogether.

“A lot of people died. Everyone who lived through that time will always hold the grief of that experience and that trauma and that loss,” Dr Bradshaw said.

“The epidemic has shaped our community for 40 years. It was a huge turning point when being gay was still criminal everywhere except South Australia when HIV came along. That generation of gay liberation was only a few years old and suddenly we were hit by an illness that no one understood, everybody died and the medicine was just attempting to manage the opportunistic infections initially and trying to find out what was going on.”

Australia was instrumental in leading global HIV/AIDS efforts, with Sydney’s St Vincent’s Hospital, specifically Ward 17 South, at the centre of that.

Qtopia board member and head of First People’s Programs at the National Art School, John Waight, said the difficult time in queer history must be remembered.

“If you don’t know your past, you don’t know your future,” said Waight. “People need to know this history because out of the tragedy, rights were gained. The interviews with survivors also highlighted an immense amount of courage, love and life. People used humour to get through this thing together. Of course it is a terribly sad and difficult time to remember but it is also a story of hope and resilience.”

Mr Waight noted that through the Covid pandemic, queer people were among the first to take up the vaccine.

“I absolutely think people were retraumatised and reminded of that (HIV/AIDS) time,” he said. “It (Covid) is a very different medical and social event in the sense that people started working on a vaccine straight away and it was 15 years before people started working on a HIV vaccine and that is political and about changing times.”

The old Darlinghurst Police Station at Taylor Square is the proposed site for Qtopia Sydney.

The museum space has been years in the making and will cover off the gamut of Australia’s rainbow history, from First Nation’s through to today and the future.

Those wanting to get involved are encouraged to register via qtopiasydney.com.au.

Image Curator Dr Liz Bradshaw and Head of First People’s Programs John Waight at the National Art School. Picture: Jonathan Ng

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Art Club is our high school student program for 15-17 year olds, designed to enhance and extend students’ technical, conceptual, and intellectual skills, through intensive practical study in the disciplines offered at NAS as well as engaging in an experience of our studios and campus, under the expert direction of experienced artists.

Set your child on a creative path with Art Club. 

Learn more at the link in bio.
Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee.

The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025
11am – 5pm Monday to Saturday 
NAS Gallery 
Free admission, all welcome

Learn more about the exhibition at the link in bio.
We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000.

Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life.

The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.” 

See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery
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Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan
Introducing the National Art School Short Courses Program from July–December 2025

Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels.

Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October.

Learn more and enrol at the link in bio.
Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm. 

Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages.

Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world.

Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter.

Purchase your tickets to the symposium at the link in bio.
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Pia van Gelder, 'sans PCB', 2021, performance, Collings Creative, image courtesy and © the artist
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