VIVID Sydney at NAS

VIVID Sydney at NAS

Vivid Sydney is coming to the National Art School

Wednesday 1 – Saturday 18 June 2022
Cell Block Theatre

See the National Art School’s grand historic Cell Block Theatre transformed after dark, when Vivid Sydney alights on the Darlinghurst institution – for the first time ever.

Unfurling a brand new, eclectic music and arts program over the winter festival, revelers can indulge in a smorgasbord of mind-bending and atmospheric music performances ranging from space jazz excursions and impromptu beatmaking to ethereal dreamscapes and neoclassical experimentation.

Presented by Vivid Sydney in association with the National Art School with support from the City of Sydney.

   

GODTET:
Future.Ancient.Strings

Wednesday 1 and Thursday 2 June

After making cosmic waves across the world, multi-instrumentalist Godriguez and his psychedelic jazz explorers return with two audio visual performance sets, alongside special collaborators. [Trance] Enter a state of profound abstraction absorption through Julian Bel Bachir’s Afro-Saharan trance, featuring Malian guitar maestro Moussa Diakite and a special international guest from Morocco. [Hypnosis] Conjure calm altered consciousness with the Ben Adler string quartet, arranged by Novak Manojlovic. Aural and Visual Immersion Live sound effects and mix production by Jack Prest, the co-producer and engineer for all of GODTET’s albums. World-building visuals by Swicked who also created the visuals for GODTET’s acclaimed Sydney Opera House performance.

Pluto Jonze:
Lightscape Piano Show

Friday 3 June

In this 360 degree, multi-sensory experience, alt-pop visionary Pluto Jonze reveals an epic dreamscape on the Lightscape Piano. Part-instrument, part light installation, his antique piano is deconstructed and retrofitted with responsive lights that illuminate the normally-hidden mechanics as the instrument is played. The sensitive lights allow Pluto to re-envision songs from his new album Awe, which “conjures a sense of endless possibility in a sprawling world” (NME) and was inspired by the contemporary visual artist James Turrell. As a composition, Awe is influenced as much by romantic composers Debussy, Erik Satie, Vangelis, Jean Michel Jarre, as by indie-psych modern greats Unknown Mortal Orchestra, Beck, Tobias Jesso Jnr, Tame Impala and Todd Terje. His music has earned comparisons with Tame Impala, Crowded House and The Beatles, amongst many others. At Pluto’s hands, light, sound and virtuosity expose the wonder of a beautifully crafted instrument that is a work of art in its own right.

“The John Lennon comparisons will always follow Pluto Jonze around, and for good reason: his reverbed vocals and psychotropic tendencies recall the spectacled Beatle at his most serene.” – The Guardian (AUS) “Echoing the softer moments of Vampire Weekend’s recent material.” – NME (AUS)

“Reminiscent of Kevin Parker’s floating vocals and melancholy lyricism.” – Life Without Andy (AUS)

“Jonze’s voice scales dizzy heights with another deep cut soul inflection.” – Backseat Mafia (AUS)

Ninajirachi
presents Dark Crystal

Saturday 4 June

Enter a dream-state when Eora/Sydney-based electronic music artist Ninajirachi brings together a diverse and eclectic ensemble for this one-off, intimate live electronic music experience. Melding live vocals, electronic and DJ performances, this is where you’ll feel Australia’s most forward-thinking club, pop, electronic and dance music pulse through your soul. Fans of left-field, hyperpop and future-facing sonic excursions, lace up your treads. The historic National Art School Cell Block Theatre is your destination for an intimate party prioritising inclusivity, joy, and wonder. All bodies are welcome and outward self-expression is celebrated. Dreamcore draws inspiration from an aesthetic and internet-culture fixation with dreamlike, surreal, hyperreal, uncanny, and nostalgic imagery referencing archived internet history and early-internet era memories, media, and animation. Weird and beautiful, like the music. Dreamcore sees a plethora of such artists take to the physical stage, lit up by an array of lights and accompanied by a live VJ set.

“With a sound that embodies a rich, opulent atmosphere and a flawless touch in the studio, Ninajirachi is truly in her own lane. The Australian triple-threat producer, songwriter, and DJ has built a career that encompasses the spectrum of electronic music, garnering praise from critics and notable artists alike.” – triple j unearthed

Dreamcore unfolds on stolen land, and 10% of net profits will be donated to Aboriginal Legal Services NSW.

SOLD OUT

Annie Hamilton

Thursday 9 June

Musician, visual artist, and designer Annie Hamilton performs an intimate and immersive live show to launch her long-awaited debut album, The Future Is Here But It Feels Kinda Like The Past (out May 20) alongside a pop-up store showcasing the latest collection from her eponymous fashion label. Rejecting straightforward narrative structure in favour of pinning down hyper-specific yet universally empathetic moments, Annie’s new album is a stylised-yet-grainy collage of snapshots. Together, they span a mammoth range of emotion, sound and genre, yet are tied together as documentation of little human moments. Contradiction and duality, reality as metaphor and metaphor as reality, stumbling through life and trying to make some kind of beautiful, are all at the fleeting beating heart of it.

Handsome presents:
BLAME

Friday 10 June

Relish the freedom of gender fluidity and embrace the beauty in androgyny when multidisciplinary artist HANDSOME takes to the stage. Enter the world of Blame (also her second EP) where desert grit meets hyper real adventure. This is anthemic electronic pop that hits all the feels. This special live show is enhanced by the Blame video and visual experience alongside special guests and wild one-off performances. As much a movement as a moniker, HANDSOME crafts a mix of Tomboy pop and brooding electronica. Her bold and new sounds celebration self-expression and carefree creativity, accompanied by obsessive perfection.

3HARPS

Thursday 16 June

The coastlines of Sydney – deep blue waves, dappled sunlight and crisp sand – inspire this immersive, multi-sensory live music and video experience in which multi-instrumentalist, composer and performer Jake Meadows drives the majestic sounds of the harp with ethereal electronic music. Always an innovator, he plays live utilising Yamaha object-based audio technology and AI-powered music engine MEMU developed by the cross-disciplinary technology team at Uncanny Valley. Be mesmerised by a fusion of art and science, where music and technology become the language of expression.

“Jake Meadows is a force of nature, a light that brings shadows to the forefront… an artist and a visionary who blends normality into absurdity, a painter of sound.” – Daniel Johns

Birds of Tokyo’s Adam Spark presents:
Snow vs Mountain

Saturday 18 June

Composer Adam Spark, the driving force behind ARIA and APRA Award winning rock band Birds Of Tokyo, presents the World Premiere of his bittersweet neo-classical opus. Be lured into a visually stunning yet fragile world before levitating into the night sky in this meditation on survival. In contrast to the stadium-filling rock anthems for Birds Of Tokyo, Adam drives this epic composition with cinematic pianos, synthetic soundscapes and a chamber orchestra. Layer in collaborations with legendary British arranger Audrey Riley (Smashing Pumpkins, Muse, Coldplay, The Smiths), and post-rock prodigy Otto Wicks Green (sleepmakeswaves) and the mountainous world comes to life. In 2018, composer and producer Adam found himself at the very bottom of the well. “I had to write my way into living”, he explains. “This project is the result of those writings. It literally saved my life and is designed to share my eventual realisation that living, even through pain, is well worth it.” This is music of hope, born out of dark times. Expect a spellbinding masterpiece from one of Australia’s towering rock gods.

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Congratulations to our recent BFA graduate Samuel Chan (@__szwc), who has been named one of three recipients of the ‘most exceptional’ prize at the Dr Harold Schenberg Arts Awards.

Now in its 16th year, the Dr Harold Schenberg Arts Awards offers the largest prize pool for emerging artists in Australia and is part of PICA’s ‘Hatched: National Graduate Show’. To be part of ‘Hatched’ exhibition is an honour as it showcases the next generation of Australia’s contemporary creative voices, presenting artworks by 23 outstanding art school graduates from across the country.

Sam’s award-winning installation work includes 'At Eventuality’s End' - an evocative sculptural piece previously featured in our ‘Queer Contemporary: Chaosophy ‘exhibition as well as the NAS Grad Show.

Inspired by our alumni success stories? Join our Open Day on 6 September to explore your own creative path and get application-ready with one-on-one consultation sessions. (Link in bio)

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(In order of appearance in the video)

'Embrace', 2024, resin, stainless steel hook, Conte crayon, 47 x 14.5 x 9.5cm

‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, 172 x 26 x 26cm 

'Noose', 2024, resin, graphite, titanium rod, 30 x 14 x 5cm 

'At Eventuality's End', 2024, hand-dyed paper, wire mesh, mild steel rod, 255 x 80 x 60cm

Image courtesy and © the artist, photograph: Jennifer Leahy (@silversalt_photography)

@pica_perth
We’re Hiring!

Painting Technician - Application Deadline Sunday 7 September 
Under the direction of the Head of Painting and lecturing staff of the department, the Painting Technician is responsible for the resourcing, maintenance and upkeep of the studios and equipment of the department; the implementation of effective studio process and procedures, and the demonstration/monitoring of safe and appropriate use of studio equipment and resources. The Painting Technician is responsible for resourcing and supporting the delivery of all Painting programs including Degree Programs, Public Programs short courses, and Education Outreach programs and workshops.

Sales and Events Coordinator - Application Deadline Sunday 7 September 
The Sales and Events Coordinator plays a key role in promoting and coordinating commercial venue hire at the National Art School (NAS), located on a unique and historic heritage-listed campus in Darlinghurst. The role is responsible for managing client enquiries, preparing event plans and quotes, and ensuring client needs are clearly scoped and communicated — without exceeding agreed service levels or budgets.

Facilities Assistant – Application Deadline Sunday 31 August 
The Facilities Assistant provides general facilities support across the campus heritage buildings, undertaking all general maintenance on buildings, grounds, plant, and equipment, as well as preventative maintenance. Work is planned through maintenance schedules as well as daily reactive work, prioritising and escalating urgent matters as appropriate. If you’re practical, reliable, and ready to contribute to a creative, purpose-driven environment, we’d love to hear from you.

Visit the link in bio to learn more.
Exciting news! Thanks to Creality (@creality_anz), the National Art School is now equipped with the latest 3D printers and equipment.

This semester, printmaking lecturer Stephanie Nova Milne has been guiding students as they explore 3D printing in their creative practice, and the results are incredible.

We look forward to seeing what they create next.
The Future is creative, and it starts here. Join us for Open Day on 6 September and discover why the National Art School is the art school of choice.* Visit nas.edu.au/open-day for more information.

*Leading art school preferences in UAC 2016-2025.

Music by NAS Alum @harrison_chao
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