SMH ‘My Best Worst’: Em Ingram-Shute

SMH ‘My Best Worst’: Em Ingram-Shute

Feature by Lissa Christopher.

Three weeks after returning from a “tough” trek to Everest Base Camp – an achievement that’s a testament to how fit she was at the time – Em Ingram-Shute was badly injured in an accident.

Her neck and shoulders sustained most of the damage and “it was just debilitating,” she says. “I went from someone who was incredibly fit and very healthy to, well, I couldn’t make my bed or put the washing on the line or anything for many years.”

She suffered incapacitating pain (and even had some of the nerves in her neck cauterised in an attempt to block it) and wound up losing her job as an auctioneer.

“Everything was diabolical,” she says.

Around the time of the Everest trek, Em had just started to look into Buddhism and meditation, and the pain from her injuries motivated her to really lean into it. She did a mindfulness-based pain management course with Vidyamala Burch “who is the most amazing woman and really showed me that pain isn’t solid and how to explore pain” and wound up meeting her current partner at a Buddhist centre. “It was a complete life change,” Em says.

The positive shifts didn’t end there.

Em had started working at an ethical book and gift shop, and her role involved collaborating with overseas artisans to make goods to sell. “I realised that if I wanted to be a bit more effective, I really needed to learn how to draw,” she says.

She did a number of short art courses and then, during a week-long drawing workshop with artist Maryanne Wick, had a remarkable experience that she was probably open to because of her mindfulness training.

“I just felt this mark coming out of my body and just wanting to drive out onto the paper,” Em says. “It was quite magic, really. I couldn’t believe it and I just thought well, this is it.”

She promptly reduced her work hours and enrolled to study art at TAFE.

Fast-forward a decade or so and Em is a practising sculptor undertaking a master’s degree at the National Art School in Sydney. Last year, she won the school’s John Olsen Prize for Drawing, Brandon Trakman Prize for Art History and Sculpture by the Sea Prize, and had her first solo exhibition, at Dominik Mersch Gallery.

“I left school at 15,” says Em. “I never thought I would be someone with a bachelor’s [degree], let alone doing a master’s, let alone winning all those prizes or having my first solo show.

“My meditation practice, Buddhism, my art and the National Art School … I couldn’t really ask for more and while it’s quite convoluted that accident led me to where I am now.”

Em’s neck and shoulders still give her grief, and it looks like she may have to have more surgery, but she’s notably sanguine about it.

“I know from my previous experience that what you think is adversity can actually propel you in another direction … I just think well, where is it going to lead me? You just don’t know what’s around the corner or where it’s going to take you, you really don’t.

“Lives change. You have just got to be open to the experience that something else is manifesting, and not see life as solid or the mind as solid. Those are the things I’ve learnt.”

You can see some of Em’s artwork here.

Image courtesy Em Ingram-Shute
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Art Club is our high school student program for 15-17 year olds, designed to enhance and extend students’ technical, conceptual, and intellectual skills, through intensive practical study in the disciplines offered at NAS as well as engaging in an experience of our studios and campus, under the expert direction of experienced artists.

Set your child on a creative path with Art Club. 

Learn more at the link in bio.
Thank you to everyone who attended the opening night of the 24th Dobell Drawing Prize and congratulations again to the prize winner NAS alumna Rosemary Lee.

The 24th Dobell Drawing Prize is now open until Saturday 21 June 2025
11am – 5pm Monday to Saturday 
NAS Gallery 
Free admission, all welcome

Learn more about the exhibition at the link in bio.
We are delighted to announce NAS alumna Rosemary Lee as the winner of the 24th Dobell Drawing Prize, Australia’s leading prize for drawing, worth $30,000.

Selected from 56 nationwide finalists, and 965 entries, Rosemary’s work will become part of the National Art School’s significant collection, built over the past 120 years. Rosemary, in her winning work 24-1 (2024), observes tonal and compositional profundity in everyday life.

The judging panel comprising acclaimed First Nations artist Vernon Ah Kee, Paula Latos-Valier AM, Trustee and Art Director of the Sir William Dobell Art Foundation, and Dr Yolunda Hickman, Head of Postgraduate Studies, National Art School, commented of Rosemary’s work: “The decision to award the 24th Dobell Drawing Prize to Rosemary Lee for the work ‘24-1’ was unanimous. We were most impressed by the level of visual intensity the artist has achieved in this work both through its vibrant colour and in the extraordinary detail of the composition. The artwork’s exploration of the urban landscape and gentrification of the Sydney suburbs of Ashfield and Summer Hill, has produced an image capturing a broader sense of transience and the omnipresence of construction sites in our cities today. It questions the cultural and historical value of place, through the lens of the artist’s personal connection.” 

See Lee’s work alongside the work of the other finalists in the 24th Dobell Drawing Prize, 11 April – 21 June 2025, NAS Gallery
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Left to right: NAS Director and CEO, Dr Kristen Sharp with artist Rosemary Lee, featuring winning artwork 24–1, 2024, pencil on paper, image courtesy the artist and National Art School Gallery © the artist, photograph: Peter Morgan
Introducing the National Art School Short Courses Program from July–December 2025

Whether you’re a beginner, rediscovering a past passion, refining your skills, or considering our Fine Arts degree, the short courses offer a stimulating and rewarding experience for all levels.

Our 2025 program begins in July with Winter School, followed by Term Three, Spring Weekend Workshops in September, and Term Four in October.

Learn more and enrol at the link in bio.
Making Sound is a performance event featuring four artists who make devices that make sound, including Gary Warner, Pia van Gelder, Ben Denham and Sean O’Connell, presented following Facture: Drawing Symposium 2025, Saturday 12 April 5-6pm. 

Gary Warner creates an improvised soundfield with his ‘aleatoric ensemble’ autonomous sound machines, a collection of modified turntables that spin ad-hoc bric-a-brac assemblages.

Pia van Gelder (pictured) amplifies an electronic circuit as it is built in real-time. Under the moniker of “PvG sans PCB,” in these performances, van Gelder works on a breadboard with electronic components and additional found objects to demonstrate the electronic variabilities produced in the material world.

Ben Denham and Sean O’Connell perform together with handmade synthesizer systems that sense and sonify barometric pressure and the flow of electrons through matter.

Purchase your tickets to the symposium at the link in bio.
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Pia van Gelder, 'sans PCB', 2021, performance, Collings Creative, image courtesy and © the artist
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