SMH ‘My Best Worst’: Lesley Wengembo

SMH ‘My Best Worst’: Lesley Wengembo

Feature by Lissa Christopher.

Each week, SMH asks someone to tell them about the upside of a bad experience or rough patch. This week features NAS student Lesley Wengembo.

Artist Lesley Wengembo had never been outside Papua New Guinea when, in 2018, he was invited to attend an art symposium in Paris and won a scholarship to attend an art school in Florence, Italy.

His first stop was Sydney, where he planned to stay for two weeks while his Europe visa was processed. He’d saved money, paid for his flights and various other expenses, and had even attracted some sponsorship.

“I was so excited,” says the 24-year-old. “Growing up I had seen [art] books and things like that about the great [European] masters and I wanted to go there, to be able to go to those galleries and museums where you could experience the art itself and see where those artists had lived.”

But it turned out Lesley was missing a vital document and his visa application was rejected. He had to cancel the whole trip, lost the money he’d paid out, and had to disappoint those who had sponsored him.

“It was so bad,” he says. “Stuck in Sydney I so frustrated. I was like shit, I should be in Paris, it’s a dream place … I want to see all those things. And for me to miss it was like oh, man.”

A Sydney-based friend he’d known only on Facebook, Lisa, invited him for coffee, and he told her about his disappointment. She suggested he look at the art schools in Sydney and took him on a tour that included the historic campus for the National Art School in Darlinghurst.

“When I went there I was like, ‘Wow, okay’. The place looks so good because of the history that is there and the building itself … I could feel the atmosphere and the energy there straight away. So I applied and I was accepted.”

Sydney has since become Lesley’s second home, and he has no regrets about Europe 2018.

“I have made a lot of friends in Sydney … I get a lot of opportunities here,” he says. Lisa, her husband and their daughter have also become “like family”.

Lesley was invited back to Europe, too, and visited twice before the pandemic hit.

“There is always another chance,” he says.

He’s also grateful to have been in Australia rather than Europe over the past 18, COVID-plagued months.

“I think about what it would be like to [be in Europe] in a lockdown. It’s so far away from PNG and away from family, and even though we’re in lockdown now, we have been so free really for so much of the time. It has really been so much better here.”

Lesley has ambitions to fulfil in Sydney. The two-time Archibald Prize entrant wants to enter again and probably again after that. “It’s also my dream to win,” he says. You can see some of Lesley’s work here.

Photo: Peter Morgan.
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Opening night: The Neighbour at the Gate 

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.
Burned trees build no homes. 

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
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Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.
This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Support our EOFY campaign via the link in bio and help us to break down barriers to art education.
In June, we celebrate World Pride Month. Like many other culturally significant times, it’s a month that’s meaningful to our community and the Oxford precinct we are part of. 

In 2015, NAS alum Todd Fuller (@fuller_todd) sent members of the public black and white drawings depicting two men engaged in a passionate kiss. The participants were encouraged to respond to the image by colouring in the figures, with the resulting images compiled by Fuller into a mixed media video animation. 

Fuller gifted this work to the National Art School Collection, a collection that performs a major role within the National Art School as both a teaching resource and a historical record. Visit our website to find out more about the works in our collection.

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Todd Fuller, ‘The Unite Project - 3rd generation ‘, 2015, mixed media animation, colour and sound, 13.35 mins loop; image courtesy the artist and National Art School © Todd Fuller. From the National Art School Collection - Gift of Todd Fuller.
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