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Arthur Boyd: Landscape of the Soul

News On Campus

Arthur Boyd: Landscape of the Soul

by

A BUNDANON TRUST TOURING EXHIBITION AT THE NATIONAL ART SCHOOL GALLERY
CURATED BY BARRY PEARCE

Exhibition: 10 January – 9 March 2019
Opening Hours: Monday–Saturday, 11am–5pm

Landscape of the Soul is a new exhibition exploring the Australian landscape and a sense of place through the complex genius of Arthur Boyd.  From light-filled early landscapes to tormented figures in the bush, the paintings, prints, drawings, photographs and archival material in this exhibition expose an inner landscape and an artist’s creative odyssey. Curated by Barry Pearce, this new Bundanon Trust Touring Exhibition is presented at the National Art School from 10 January to 9 March 2019.

From early, youthful en plein air subjects celebrating light, to the final phase of his career depicting the Shoalhaven on the south coast of New South Wales, encompassing the artist’s journeys from Australia to England and Europe, artworks in the exhibition present the landscape as a theatre for his deeper explorations – not merely topographic, but a psychic sense of place.

Arthur Boyd has been described as a genius whose creativity evolved from childhood innocence to which in some ways, through extraordinary complexity, it returned at the end of a long productive life. His was an artist’s odyssey through landscape both seen and imagined.

Presenting approximately 70 paintings, prints, drawings, photographs and archival material, Arthur Boyd: Landscape of the Soul is curated by independent curator Barry Pearce, drawn from the Collection of Bundanon Trust as well as other public institutions. A full-colour publication featuring a curatorial essay by Barry Pearce and an introduction by Deborah Ely accompanies the exhibition.

Featured Artwork: Arthur Boyd, Hanging rocks with bathers and Mars, c. 1985 oil on canvas Bundanon Trust Collection

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Opening night: The Neighbour at the Gate

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.

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Jun 5

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Opening night: The Neighbour at the Gate Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar). Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships. Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood. The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative. RSVP at the link in bio.

Burned trees build no homes.

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
—
Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.

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Jun 5

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Burned trees build no homes. Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection. — Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.

This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Support our EOFY campaign via the link in bio and help us to break down barriers to art education.

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Jun 4

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This end of financial year, support the next generation of artists through the National Art School’s Pathways Program. Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background. Support our EOFY campaign via the link in bio and help us to break down barriers to art education.

In June, we celebrate World Pride Month. Like many other culturally significant times, it’s a month that’s meaningful to our community and the Oxford precinct we are part of.

In 2015, NAS alum Todd Fuller (@fuller_todd) sent members of the public black and white drawings depicting two men engaged in a passionate kiss. The participants were encouraged to respond to the image by colouring in the figures, with the resulting images compiled by Fuller into a mixed media video animation.

Fuller gifted this work to the National Art School Collection, a collection that performs a major role within the National Art School as both a teaching resource and a historical record. Visit our website to find out more about the works in our collection.

—
Todd Fuller, ‘The Unite Project - 3rd generation ‘, 2015, mixed media animation, colour and sound, 13.35 mins loop; image courtesy the artist and National Art School © Todd Fuller. From the National Art School Collection - Gift of Todd Fuller.

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Jun 1

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In June, we celebrate World Pride Month. Like many other culturally significant times, it’s a month that’s meaningful to our community and the Oxford precinct we are part of. In 2015, NAS alum Todd Fuller (@fuller_todd) sent members of the public black and white drawings depicting two men engaged in a passionate kiss. The participants were encouraged to respond to the image by colouring in the figures, with the resulting images compiled by Fuller into a mixed media video animation. Fuller gifted this work to the National Art School Collection, a collection that performs a major role within the National Art School as both a teaching resource and a historical record. Visit our website to find out more about the works in our collection. — Todd Fuller, ‘The Unite Project - 3rd generation ‘, 2015, mixed media animation, colour and sound, 13.35 mins loop; image courtesy the artist and National Art School © Todd Fuller. From the National Art School Collection - Gift of Todd Fuller.
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