The National Art School Launches National Centre for Drawing

The National Art School Launches National Centre for Drawing

As the school approaches its centenary occupying the historic site of the former Darlinghurst Gaol (1922-2022), NAS students across all disciplines – ceramics, painting, printmaking, sculpture and photomedia – continue to engage with drawing throughout their degree courses.

The school is affirming its core commitment to this crucial artistic skill with the establishment of the National Centre for Drawing (NCD), which seeks to promote and nurture practice, research and scholarship in drawing.

“This exciting new endeavour will foster informed dialogue, debate and understanding around the diversity of drawing practices in the context of fine art,” said NAS Director and CEO Steven Alderton. “It will also be a focal point for establishing national and international connections to educational and cultural institutions and organisations, galleries, art communities and practitioners, and to build audiences and public appreciation of drawing.”

The NCD will cultivate curiosity around this primary artistic discipline, grounded in the traditions and techniques of the past but extending to less visible or recognised forms of drawing, exploring its myriad possibilities as a form of contemporary creative expression, and extending to the outer realms of drawing practice.

The centre incorporates many elements including The Drawing Gallery, a new space at NAS dedicated to drawing exhibitions. The inaugural show, From the Mountain to the Sky: Guy Warren Drawings, celebrates one of Australia’s most admired artists Guy Warren, opening on his 100th birthday and running from 17 April – 22 May 2021.

NCD will also present programs, projects and events that incorporate the physical activity of drawing, including The Drawing Exchange bringing professional artists onto campus; the annual Margaret Olley Drawing Week with NAS students; and a diverse and engaging program of public workshops. The Festival of Drawing launches in 2021, a biannual event in conjunction with the Dobell Drawing Prize, including workshops, screenings, family activities, symposiums and talks.

NAS Head of Drawing Maryanne Coutts said the NCD will enrich cultural life on campus, hosting International and Emerging Artist Residencies to give students and staff the opportunity to engage with innovative contemporary drawing practices from outside the school. NCD will also produce printed and online publications for exhibitions and projects, and podcasts with in-depth conversations about drawing.

Image: First year drawing students in the NAS Gallery, 2020. Photo: Peter Morgan
Image: Yul Scarf, Still Life of a Falling Monument, 2020, video still.
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Opening night: The Neighbour at the Gate 

Join us on Thursday 10 July for the opening night of The Neighbour at the Gate, a major exhibition at the National Art School Gallery, curated by a guest curatorium led by Clothilde Bullen (Wardandi Noongar and Badimaya Yamatji), with Micheal Do and Zali Morgan (Whadjuk Balladong and Wilman Noongar).

Bringing together newly commissioned works by leading Australian artists Jacky Cheng, Elham Eshraghian-Haakansson, Dennis Golding (Kamilaroi/Gamilaraay), Jenna Mayilema Lee (Gulumerridjin (Larrakia), Wardaman, KarraJarri), James Nguyen and James Tylor (Kaurna, Thura-Yura language region), the exhibition reckons with the echoes of immigration policies and the legacies of Colonialism in Australia, unravelling how these forces continue to shape First Nations and Asian Australian experiences and relationships.

Across various mediums and perspectives, The Neighbour at the Gate charts the entangled legacies of exclusion and resilience, drawing vital parallels between the past and present, memory and nationhood.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

RSVP at the link in bio.
Burned trees build no homes. 

Today we acknowledge World Environment Day with this work by alum Una Foster, now in the National Art School Collection.
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Una Foster, ‘Burned Trees Build No Homes’, c.1945, commercial print on paper; image courtesy the artist and National Art School © Una Foster. From the National Art School Collection.
This end of financial year, support the next generation of artists through the National Art School’s Pathways Program.

Your donation will be vital in helping us build a more inclusive and vibrant arts community — creating crucial pathways for talented artists to become leading international artists, regardless of their background.

Support our EOFY campaign via the link in bio and help us to break down barriers to art education.
In June, we celebrate World Pride Month. Like many other culturally significant times, it’s a month that’s meaningful to our community and the Oxford precinct we are part of. 

In 2015, NAS alum Todd Fuller (@fuller_todd) sent members of the public black and white drawings depicting two men engaged in a passionate kiss. The participants were encouraged to respond to the image by colouring in the figures, with the resulting images compiled by Fuller into a mixed media video animation. 

Fuller gifted this work to the National Art School Collection, a collection that performs a major role within the National Art School as both a teaching resource and a historical record. Visit our website to find out more about the works in our collection.

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Todd Fuller, ‘The Unite Project - 3rd generation ‘, 2015, mixed media animation, colour and sound, 13.35 mins loop; image courtesy the artist and National Art School © Todd Fuller. From the National Art School Collection - Gift of Todd Fuller.
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