ArtsHub: How NIRIN contests history by placing art at the edge

ArtsHub: How NIRIN contests history by placing art at the edge

Article by Gina Fairley

ArtsHub takes a look at two venues, the National Art School and Campbelltown Arts Centre, on the edge for this year’s Biennale of Sydney to see how grass roots engagement is redefining the centre. Find out more through the link below.

Image: Hannah Catherine JonesOwed to Diaspora(s), (video still, detail), 2019. Courtesy the artist.

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Now open in Building 25 Project Space — Liz Bradshaw 'I didn't expect to live this long'.
 
For this year's Queer Contemporary, NAS alum Liz Bradshaw presents an exhibition of large-scale sculpture and installation works that offer a personal and political queering of time, space, materiality, and ideas. Integrating new works alongside a fragment of an artwork created at NAS in the 1990s, the installation folds together the artist's personal experiences with the complex histories of the school's site and the broader Darlinghurst area, which served as an epicentre of Australian queer history.
 
On view until 7 March. Monday to Saturday, 11am–5pm.
 
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Installation view: Zan Wimberley
Opening 12 February — Queer Contemporary, as part of @sydneymardigras 

This year's edition presents 'Liz Bradshaw: I didn't expect to live this long' — an exhibition of large-scale sculpture and installation works that offer a personal and political queering of time, space, materiality, and idea — with student exhibitions organised by Jack Oliver Owen and nikita lelu.

Join us for the opening night on Thursday 12 February, from 6–9pm.

RSVP 🔗 in bio.

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Liz Bradshaw, 'Two Pair', 2023
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