Australian Arts Review: Paper Tigers – Posters from Sydney’s Long ’70s

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Australian Arts Review: Paper Tigers – Posters from Sydney’s Long ’70s

2019-08-21

by Danielle Neely

Celebrating Sydney’s dynamic poster art and public protest movements, from the late 1960s through the ’70s to the early ’80s, the National Art School Gallery in conjunction with Sedition: a festival of art, music and pictures presents Paper Tigers: Posters of the long 70s from 30 August – 12 October 2019.

Image: Chips Mackinolty, 3rd Annual Christmas is False Consciousness Eve Party, 1978. Tin Sheds Art Workshop. Screenprint.

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In the Media News

Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
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RSVP for the Opening Night at the link in bio.
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Thank you to current NAS BFA student @harrison_chao for the music.

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Nov 24

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Introducing Maram Hassan Al-Zaidi @maram_hassan52, Bruno Bersten @bruno_bersten and Kika Baker @k1kakereru, three of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
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Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Maram Hassan Al-Zaidi, ‘Dance of the Soul’, 2024, raku clay, glaze, silk abaya, glass, 60 x 35 x 20cm.
Bruno Bersten, ‘Amalgam Effigies’, 2024, mixed media, 100 x 50 x 10cm.
Kika Baker, ‘Diablo Red’, 2024, bonnet and fabric, 100 x 145cm.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

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Nov 22

Open

Introducing Maram Hassan Al-Zaidi @maram_hassan52, Bruno Bersten @bruno_bersten and Kika Baker @k1kakereru, three of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Maram Hassan Al-Zaidi, ‘Dance of the Soul’, 2024, raku clay, glaze, silk abaya, glass, 60 x 35 x 20cm.
Bruno Bersten, ‘Amalgam Effigies’, 2024, mixed media, 100 x 50 x 10cm.
Kika Baker, ‘Diablo Red’, 2024, bonnet and fabric, 100 x 145cm.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

Introducing Grace Buckley @louisegracearts, Samuel Chan @__szwc, Olivia Lindgaard @olivialindgaaaard and Cooper Holland-Hughes @_cooper_hh_, four of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
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Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
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Grace Buckley, ‘Tassel Girl’, 2024, found stool, upholstery, pins, thread, fringe, 40 x 33 x 35cm.
Samuel Chan, ‘Embrace’, 2024, resin, stainless steel meat hook, 47 x 14.5 x 9.5cm.
Olivia Lindgaard, ‘Asphyxiated’, 2024, wood and plastic, dimensions variable.
Cooper Holland-Hughes, ‘Machine for Feeling’, 2024, found object, ceramic, dimensions variable.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

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Nov 22

Open

Introducing Grace Buckley @louisegracearts, Samuel Chan @__szwc, Olivia Lindgaard @olivialindgaaaard and Cooper Holland-Hughes @_cooper_hh_, four of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Grace Buckley, ‘Tassel Girl’, 2024, found stool, upholstery, pins, thread, fringe, 40 x 33 x 35cm.
Samuel Chan, ‘Embrace’, 2024, resin, stainless steel meat hook, 47 x 14.5 x 9.5cm.
Olivia Lindgaard, ‘Asphyxiated’, 2024, wood and plastic, dimensions variable.
Cooper Holland-Hughes, ‘Machine for Feeling’, 2024, found object, ceramic, dimensions variable.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

Introducing Trey Martin @sadisticpaintbrush, Ruby McVicar @tyropa, Nikki Poulos @nikkipoulos_ and Adelash Parsons @adelashparsons, four of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Trey Martin, ‘Effigy Peaks’, 2024, ceramic, 29 x 30 x 25cm.
Ruby McVicar, ‘Comforts’, 2024, wooden chair, stones, 100 x 45 x 45cm.
Nikki Poulos, ‘This is not an artwork’, 2024, found object, text, 110 x 40 x 40cm.
Adelash Parsons, ‘Untitled’, 2024, mixed media, dimensions variable.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

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Nov 22

Open

Introducing Trey Martin @sadisticpaintbrush, Ruby McVicar @tyropa, Nikki Poulos @nikkipoulos_ and Adelash Parsons @adelashparsons, four of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Trey Martin, ‘Effigy Peaks’, 2024, ceramic, 29 x 30 x 25cm.
Ruby McVicar, ‘Comforts’, 2024, wooden chair, stones, 100 x 45 x 45cm.
Nikki Poulos, ‘This is not an artwork’, 2024, found object, text, 110 x 40 x 40cm.
Adelash Parsons, ‘Untitled’, 2024, mixed media, dimensions variable.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

Introducing Ruby Quoyle @rubbadubbaboo.2, Amelia Rose @rrose_amelia and Jeremy Rotenstein @artofishal, three of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Ruby Quoyle, ‘Tracy’, 2024, plastic chair, wig, 83 x 49 x 52cm.
Amelia Rose, ‘Unruly Possession’, 2024, soy wax, glass, London plane tree pollen, dirt, copper, synthetic pillow, polyethylene wax, thread, cable, push pin, dimensions variable.
Jeremy Rotenstein, ‘The Eagle’, 2024, sandstone, 32 x 20 x 27cm.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

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Nov 22

Open

Introducing Ruby Quoyle @rubbadubbaboo.2, Amelia Rose @rrose_amelia and Jeremy Rotenstein @artofishal, three of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
—
Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
—
Ruby Quoyle, ‘Tracy’, 2024, plastic chair, wig, 83 x 49 x 52cm.
Amelia Rose, ‘Unruly Possession’, 2024, soy wax, glass, London plane tree pollen, dirt, copper, synthetic pillow, polyethylene wax, thread, cable, push pin, dimensions variable.
Jeremy Rotenstein, ‘The Eagle’, 2024, sandstone, 32 x 20 x 27cm.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

Introducing Lindy Yoannidis @lindyyo and Magic Young @magicsartgallery, two of our graduating Sculpture BFA students, and their selected works (clockwise, L to R).
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Celebrate the future of contemporary art at The Grad Show Opening Night, Thursday 5 December, 6–10pm.
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Lindy Yoannidis, ‘Untamed’, 2024, sticks, gauze, ink, zip ties, PVA glue, dimensions variable.
Magic Young, ‘Evulva’, 2024, inflatable, 400cm x 250cm.
Portrait Photography: Jack Rockliffe @soybasedhacked
Artwork Photography: Jennifer Leahy @silversalt_photography

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Nov 22

Open

Australian Arts Review: Paper Tigers – Posters from Sydney’s Long ’70s