Executive
Steven Alderton
Director and CEO
Steven Alderton has gained 25 years’ experience in the visual arts and education. Previous roles have included Director, Programs, Exhibitions and Cultural Collections at the Australian Museum, Director Casula Powerhouse Arts Centre, Director Lismore Regional Gallery, Manager Bundaberg Arts Centre, Director Redland Art Gallery, and Curator Wagga Wagga City Art Gallery. Steven has worked closely with many leading Australian visual artists including Ricky Swallow, Margaret Olley, Nicholas Harding, Janet Laurence and Tracey Moffatt.
Simon Cooper
Head of Studies
Simon Cooper has practiced and exhibited extensively throughout Australia and internationally. His work is held in numerous private and public collections throughout the world including the Art Gallery of New South Wales, the National Gallery of Australia, Canberra; and the Seoul Metropolitan Museum of Art, South Korea.
He completed his undergraduate studies in Printmaking at Prahran College, Victoria and his post-graduate studies at Victorian College of the Arts in Melbourne. Simon has taught with a range of institutions in Australia including Victorian College of the Arts, Melbourne; RMIT University, Melbourne; University of Southern Queensland; and Chisholm Institute, Melbourne. Since joining NAS in 2001 as Head of Printmaking, he has held other academic positions within the school including Acting Director, and is currently Head of Studies.
Paul Ryan
Chief Financial Officer
Paul’s career has been in chartered accounting, the private and public sectors including the arts. Paul has extensive experience in senior executive and operational positions across multi-site, multi-country operations encompassing the functions of finance, human resources, information technology, customer service, commercial operations, business development, shared services, building services, security, governance and administration. Paul has lived and worked in Asia-Pacific to put business resources on the ground in developing economies, and has led business turnarounds, business acquisitions and transformation projects. Paul is a Chartered Accountant, Fellow of the Governance Institute of Australia, has a Bachelor of Commerce (Accounting, Finance & Systems) with Merit from the University of New South Wales and an MBA from Macquarie University‘s Macquarie Graduate School of Management (MGSM). Paul is a volunteer member of the NSW Rural Fire Service.
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Learn more at the link in bio.
Dec 19
A selection of works by our graduating BFA students currently on show at The Grad Show, on until 15 December at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Kaela Jacobs, ‘Tough. (A series of delicate things. I am one of them.)’, 2024, aluminium, silver keyrings, synthetic hair, rivets, 121 x 90 cm
Ellie Pamp, ‘Untitled (Faun series) #2’, 2024, oil on wood board, 20 x 25 cm
Ksenia Kirkbride, ‘Serpent`s Cycle, The Path to Wisdom’, 2024, oil on linen, 100 x 100 cm
James Stewart, ‘sandcastles (mound)’, 2024, terracotta, white earthenware slip, 50 x 49 x 50 cm
Jodie McGill, ‘In conversation with Les’, 2024, oil on Belgium linen, 122 x 91.5 cm
Mitchell Timms, ‘Garden of Odd’, 2024, watercolour and graphite drawing, 21 x 15 cm
Dean O’Brien, ‘The Dear Repose For Limbs With Travel Tired’, 2024, oil on canvas, 91 x 61 x 4 cm
Chaya Atkins, ‘Veil’, 2024, oil on canvas, 80 x 100 cm
Alba Stephen, ‘Small Size Me (CMYK edition)’, 2024, screenprint with acrylic on paper, 19 x 19 cm
Bronte O’Shannessy, ‘Warmth’, 2024, mixed media, 70 x 70 cm
Dec 13
A selection of works by our graduating BFA students currently on show at The Grad Show, on until 15 December at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Jacinta Robinson, ‘Sacred Hollow’, 2024, acrylic on raw canvas, 122 x 152 cm
Harriet Clark, ‘Mum21’, 2024, glazed stoneware, 46 x 24 x 24 cm
Libby Moore, ‘Keep me safe’, 2024, plaster of paris, 26 x 14 x 7cm (boxed)
Jeremy Rotenstein, ‘Rose Metal’, 2024, cast metal and sandstone, 38 x 32 x 7 cm
Harrison Chao, ‘Node 4 (Open)’, 2024, oil on canvas, 90 x 120 cm
Gitte Backhausen, ‘Repercussions’, 2024, acrylic on found wooden pegboard, 90 x 60 cm
Gabriel Suni Sallo, ‘Plaza de Armas II’, 2024, acrylic and oil on wooden panel, 120 x 107 x 2.5 cm
Ariel Filler, ‘Pop and Skip’, 2024, oil, acrylic, dry pigment and glue on canvas, 110 x 97 x 2 cm
Sevgi Yilmaz, ‘Residue’, 2024, spray paint on dropcloth, 80 x 45.5 cm
Shauna Carroll, ‘Sacrifice of Andromeda’, 2024, oil on board, 90 cm
Dec 13
A selection of works by our graduating BFA students currently on show at The Grad Show, on until 15 December at NAS Galleries.
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Learn more about the artists and view available works at the link in bio.
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Francisca Carrasco-Reyes, ‘Bleeding Light’, 2024, latex on stretched polyester, 74 x 49.5 cm
Samira El Chami, ‘Fruits’, 2024, glazed stoneware, 8.5 x 18.2 x 15.5 cm
Grace Buckley, ‘Blossom’, 2024, canvas, upholstery, fringe, pins, 70 x 41 cm
Harriet Brealey, ‘Wraith’, 2024, etching on Fabriano Rosapina, 49.5 x 35 cm
Ruby McVicar, ‘Go (extension)’, 2024, wooden guillotine, mint pasties, licorice, brass cups, polymer clay, plastic binder, paper, 6 x 34 x 56 cm
Trey Martin, ‘Hallow Bone’, 2024, earthenware, paint, 40 x 25 x 25 cm
Stephanie Barakat, ‘Colonoscocave’, 2024, oil on canvas, 91 x 118 x 4.2 cm
Karim Fares, ‘Pipes’, 2024, plywood, construction adhesive, acrylic paint, spray paint, alcohol markers, PVA, collected stickers, superglue, collected tiles, PVC piping, prop rubber mouse, 20 x 24.5 cm
Olivia Lindgaard, ‘Modern Prey’, 2024, found wood, 165 x 150 x 60 cm
Chloe Lane, ‘Mighty Atom, 2024, oil and acrylic on canvas, 122 x 91 cm
Dec 13
