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2020 NAS Awards Recipients

News On Campus

2020 NAS Awards Recipients

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On Friday 11 December, the National Art School celebrated the achievements and success of our students through awarding of prizes and scholarships. We would like to congratulate the award recipients for their hard work, and thank our lecturers and technicians for their outstanding dedication and commitment to each and every student.

All of the prizes and scholarships awarded have been generously provided by our benefactors and sponsors, and we also thank you for your support.

Major Awards

Anne Pata Memorial Drawing Award
Whimbrel Wilson & Jane Alexander

Bird Holcomb Foundation Scholarship
Taylor Steel

Mark Henry Cain Memorial Travel Scholarship
Luke Kennedy

East Sydney Doctors Scholarship
Madeleine Feist & Sylvie Veness

Clitheroe Foundation Scholarship
Ellen Wickens

National Art School Aboriginal Art Centre Internship – Tikjkala
Clementine McIntosh

National Art School Aboriginal Art Centre Internship – Ernabella
Lauren O’Connor

John Olsen Prize for Drawing
Em Ingram-Shute

Derivan Award for Excellence
Noah Bennett

Troy Quinliven Exhibition Award
Daniel Bodey

Richard Lucchese Abstract Painting Prize
Katharine Francis

Joel Corrigan Memorial Photography Award
Lucy King

 

Art History

Brandon Trakman Prize
Em Ingram-Shute and Sadhbha Beth Cockburn

 

Ceramics

Sabbia Gallery Exhibition Prize
Michele Edinger

Parkers Sydney Fine Art Ceramic Award
Alyssa Clemson

Kil.n.It Award
Michele Edinger

N.E. Pethebridge Award
Lucy Rushton

Matilda Kubany-Deane Memorial Prize
Yul Scarf

 

Drawing

Parkers Sydney Fine Art Drawing Award
Aliki Yiorkas

John Olsen Prize for Drawing (Highly Commended)
Clementine McIntosh

Jasco Sketchbook Prize
Katharine Francis

Dora Dreyfus Drawing Award
Kim Bennett

 

Painting

Parkers Sydney Fine Art Painting Award
Caitlin Evans

Derivan Award for Mixed Media
Nicole Fern

Parkers Sydney Fine Art Framing Award
Daniel Bodey

aMBUSH Gallery
Suzanna Vangelov

John McCaughey Prize (Perpetual)
Trenna Austen – A Desperate Ride on a Terrible Course

Sydney Olympic Park Residency Award – Painting
Tara McIntosh

 

Photomedia

Kayell Australia Photography Award
Nell Thompson

 

Printmaking

Artscene Printmaking Prize
Svetlana Prokhorova

Artscene Printmaking Prize
Aliki Yiorkas

Parkers Sydney Fine Art Printmaking Award
Roman Giuffre

Ellen Lee O’Shaughnessy Printmaking Award
Isabella Kennedy

Sydney Olympic Park Residency Award – Printmaking
Lorelei Sneyd

Megalo Studio and Gallery Residency Award – Printmaking
Eliza Gwynne, Claire Welch, Fergus Berney-Gibson

Sculpture

Parkers Sydney Fine Art Sculpture Award
Arushi Nayar

Sculpture by the Sea Prize
Em Ingram-Shute

Dr John Vallance Prize for Sculpture
Bronwyn Vaughan

KNULP Exhibition Prize
Maria Alvarado Loukianova

Barnes Prize for Sculpture
Jane Alexander

Sydney Olympic Park Residency Award – Sculpture
Charlotte Simpson and Hannah Wilson

 

Open Awards

NAVA Ignition Prize for Professional Practice
Yul Scarf

Studio W doubleyou Exhibition Prize (1-2 Award Recipients)
Noah Bennett and Nina Radonja

Harvey Galleries Award
Casey Chen (ceramics)
Trenna Austin (painting)
Nic Fern (painting)
Finnegan McGrath (painting)
Sophia Yong (painting)
Katika Schultz (printmaking)
Giorgia McRae (sculpture)

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Hear artist James Nguyen (@jamesnguyens) discuss the process of his artwork ‘Homeopathies_where new trees grow’ (2025), a site-specific installation created for The Neighbour at the Gate, now on at NAS Gallery.

In response to the exhibition, Nguyen created a large-scale suspended textile, dyed with introduced weeds and contaminated mud collected along the Duck River and Parramatta River in Sydney. These local sites, like many places in Vietnam, continue to be contaminated by Agent Orange, dioxins and toxic leachates that account for the industrial scale manufacturing of chemical weapons along Homebush Bay.

The Naarm/Melbourne-based, Vietnamese Australian artist positions his personal experiences and perspectives in dialogue with others in his interdisciplinary practice, moving between live and online performance, video, drawing and installations. This work was made in conjunction with Nguyen’s aunt, Nguyễn Thị Kim Nhung, and uncle, Nguyễn Công Chính, who you can hear in conversation with the artist in the Artist Talks archive on our website.

The Neighbour at the Gate is now on until Saturday 18 October 2025. 11am – 5pm, Monday to Sunday. Plan your visit at the link in bio.

The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

View Instagram post by nas_au

Aug 21

Open post by nas_au with ID 18372900358179933
Hear artist James Nguyen (@jamesnguyens) discuss the process of his artwork ‘Homeopathies_where new trees grow’ (2025), a site-specific installation created for The Neighbour at the Gate, now on at NAS Gallery. In response to the exhibition, Nguyen created a large-scale suspended textile, dyed with introduced weeds and contaminated mud collected along the Duck River and Parramatta River in Sydney. These local sites, like many places in Vietnam, continue to be contaminated by Agent Orange, dioxins and toxic leachates that account for the industrial scale manufacturing of chemical weapons along Homebush Bay. The Naarm/Melbourne-based, Vietnamese Australian artist positions his personal experiences and perspectives in dialogue with others in his interdisciplinary practice, moving between live and online performance, video, drawing and installations. This work was made in conjunction with Nguyen’s aunt, Nguyễn Thị Kim Nhung, and uncle, Nguyễn Công Chính, who you can hear in conversation with the artist in the Artist Talks archive on our website. The Neighbour at the Gate is now on until Saturday 18 October 2025. 11am – 5pm, Monday to Sunday. Plan your visit at the link in bio. The Neighbour at the Gate has been made possible with the generous support of the NSW Government through its Blockbusters Funding initiative.

Congratulations to our recent BFA graduate Samuel Chan (@__szwc), who has been named one of three recipients of the ‘most exceptional’ prize at the Dr Harold Schenberg Arts Awards.

Now in its 16th year, the Dr Harold Schenberg Arts Awards offers the largest prize pool for emerging artists in Australia and is part of PICA’s ‘Hatched: National Graduate Show’. To be part of ‘Hatched’ exhibition is an honour as it showcases the next generation of Australia’s contemporary creative voices, presenting artworks by 23 outstanding art school graduates from across the country.

Sam’s award-winning installation work includes `At Eventuality’s End` - an evocative sculptural piece previously featured in our ‘Queer Contemporary: Chaosophy ‘exhibition as well as the NAS Grad Show.

Inspired by our alumni success stories? Join our Open Day on 6 September to explore your own creative path and get application-ready with one-on-one consultation sessions. (Link in bio)

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(In order of appearance in the video)

`Embrace`, 2024, resin, stainless steel hook, Conte crayon, 47 x 14.5 x 9.5cm

‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, 172 x 26 x 26cm

`Noose`, 2024, resin, graphite, titanium rod, 30 x 14 x 5cm

`At Eventuality`s End`, 2024, hand-dyed paper, wire mesh, mild steel rod, 255 x 80 x 60cm

Image courtesy and © the artist, photograph: Jennifer Leahy (@silversalt_photography)

@pica_perth

View Instagram post by nas_au

Aug 19

Open post by nas_au with ID 17898579813255911
Congratulations to our recent BFA graduate Samuel Chan (@__szwc), who has been named one of three recipients of the ‘most exceptional’ prize at the Dr Harold Schenberg Arts Awards. Now in its 16th year, the Dr Harold Schenberg Arts Awards offers the largest prize pool for emerging artists in Australia and is part of PICA’s ‘Hatched: National Graduate Show’. To be part of ‘Hatched’ exhibition is an honour as it showcases the next generation of Australia’s contemporary creative voices, presenting artworks by 23 outstanding art school graduates from across the country. Sam’s award-winning installation work includes 'At Eventuality’s End' - an evocative sculptural piece previously featured in our ‘Queer Contemporary: Chaosophy ‘exhibition as well as the NAS Grad Show. Inspired by our alumni success stories? Join our Open Day on 6 September to explore your own creative path and get application-ready with one-on-one consultation sessions. (Link in bio) -- (In order of appearance in the video) 'Embrace', 2024, resin, stainless steel hook, Conte crayon, 47 x 14.5 x 9.5cm ‘Transfiguration’, 2024, Chillagoe White Pearl marble, mild steel, incense, 172 x 26 x 26cm 'Noose', 2024, resin, graphite, titanium rod, 30 x 14 x 5cm 'At Eventuality's End', 2024, hand-dyed paper, wire mesh, mild steel rod, 255 x 80 x 60cm Image courtesy and © the artist, photograph: Jennifer Leahy (@silversalt_photography) @pica_perth

We’re Hiring!

Painting Technician - Application Deadline Sunday 7 September
Under the direction of the Head of Painting and lecturing staff of the department, the Painting Technician is responsible for the resourcing, maintenance and upkeep of the studios and equipment of the department; the implementation of effective studio process and procedures, and the demonstration/monitoring of safe and appropriate use of studio equipment and resources. The Painting Technician is responsible for resourcing and supporting the delivery of all Painting programs including Degree Programs, Public Programs short courses, and Education Outreach programs and workshops.

Sales and Events Coordinator - Application Deadline Sunday 7 September
The Sales and Events Coordinator plays a key role in promoting and coordinating commercial venue hire at the National Art School (NAS), located on a unique and historic heritage-listed campus in Darlinghurst. The role is responsible for managing client enquiries, preparing event plans and quotes, and ensuring client needs are clearly scoped and communicated — without exceeding agreed service levels or budgets.

Facilities Assistant – Application Deadline Sunday 31 August
The Facilities Assistant provides general facilities support across the campus heritage buildings, undertaking all general maintenance on buildings, grounds, plant, and equipment, as well as preventative maintenance. Work is planned through maintenance schedules as well as daily reactive work, prioritising and escalating urgent matters as appropriate. If you’re practical, reliable, and ready to contribute to a creative, purpose-driven environment, we’d love to hear from you.

Visit the link in bio to learn more.

View Instagram post by nas_au

Aug 18

Open post by nas_au with ID 18116875747497505
We’re Hiring! Painting Technician - Application Deadline Sunday 7 September Under the direction of the Head of Painting and lecturing staff of the department, the Painting Technician is responsible for the resourcing, maintenance and upkeep of the studios and equipment of the department; the implementation of effective studio process and procedures, and the demonstration/monitoring of safe and appropriate use of studio equipment and resources. The Painting Technician is responsible for resourcing and supporting the delivery of all Painting programs including Degree Programs, Public Programs short courses, and Education Outreach programs and workshops. Sales and Events Coordinator - Application Deadline Sunday 7 September The Sales and Events Coordinator plays a key role in promoting and coordinating commercial venue hire at the National Art School (NAS), located on a unique and historic heritage-listed campus in Darlinghurst. The role is responsible for managing client enquiries, preparing event plans and quotes, and ensuring client needs are clearly scoped and communicated — without exceeding agreed service levels or budgets. Facilities Assistant – Application Deadline Sunday 31 August The Facilities Assistant provides general facilities support across the campus heritage buildings, undertaking all general maintenance on buildings, grounds, plant, and equipment, as well as preventative maintenance. Work is planned through maintenance schedules as well as daily reactive work, prioritising and escalating urgent matters as appropriate. If you’re practical, reliable, and ready to contribute to a creative, purpose-driven environment, we’d love to hear from you. Visit the link in bio to learn more.
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