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Home
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- International Students
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Support NAS
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#NASAlumni and our next #NASRetake feature artist

#NASAlumni and our next #NASRetake feature artist Robert Owen is still creating in his studio everyday. We asked Owen to share his thoughts with us on staying motivated at home. "It’s always been uncertain times for artists. The important thing is to develop discipline. If you are working from home, train yourself to be present at every moment; practice observational analysis. Make lots sketches, drawings, doodles and notes. Make a list – a number per day. Aim to fill a book each week. Aim to read a book each week, day, month and work on ideas. If you are going for a walk each day, note changes that intuitively pop-up, through sight, sound, touch and smell. Write, note, sing, dance, these observations down and after three months you’ll have enough material for a show, an album, play or a book of poems or novel.”
– Robert Owen.
Don’t forget to keep sharing your work, practice and home studios with us using #NASStudioSessions.
Image: Robert Owen, Studio, Melbourne. Photo: Angela Connor
#nas #nas_au #NASCONNECT

This past week, we’ve been loving all of the sni

This past week, we’ve been loving all of the snippets into your creative lives through #NASStudioSessions.
Here’s a few that we received to date – check out more beautifully curated spaces and works in progress by following the hashtag or visiting ‘NAS Connect’ through our link in bio.
Images: Lorelei Spek, @ivory_sketching, BFA 3; Chelsea Lehmann, @chelseajlehmann, NAS Drawing Lecturer; Laura Clay Hernandez, @lauraclayart, MFA 2; Alana Ambados, @alanaambados, NAS Education Outreach Officer; Martin John Oldfield, @martin_john_oldfield, BFA 1
#nas #nas_au #NASCONNECT

For the final instalment of the #NASRetake on #NAS

For the final instalment of the #NASRetake on #NASAlumni Sophie Cape, we will be looking at one of her early self-portraits. ‘Self-portrait’ (2008) was from the artist’s second year of study and was her first attempt at portraiture and painting with oils. The intensity of the gaze and the formal composition from forehead to chin clearly relates to her large-scale portrait of Dan Wyllie painted six years later – the first work we shared of Cape’s in this series.
Keep your eyes peeled on our page as we feature new works and artists straight from the #NASArchiveandCollection.
Image: Sophie Cape, ‘Self Portrait’, 2008, oil on canvas, 30 x 30 cm, National Art School Collection, donated through the Australian Government’s Cultural Gifts Program by the artist, 2018. Image courtesy and © the artist
#nas #nas_au #NASCONNECT

For part two of our #NASRetake on #NASAlumni Sophi

For part two of our #NASRetake on #NASAlumni Sophie Cape, we delve deeper into her practice by looking at the work ‘Rests her weary head’ from 2008.
When Cape’s career as an elite athlete ended due to injury in 2008, her art making became the perfect outlet for her athletic energy and her love of being outdoors. Cape immersed herself physically and emotionally into the landscape. It was at the National Art School that she discovered and developed her unique visual language, making large-scale, visceral artworks composed predominately on the ground, outside and in seclusion.
The drawing ‘Rests her weary head’ was made in her first year of art school after a trip to the bush. Cape used locally found materials: soil for pigments, burnt branches as charcoal, bones to draw with, and shrubs as brushes. These works became cathartic, psychological self-portraits fusing the artist’s raw energy and emotion, materiality and narrative. The work combines her lifelong love of poetry with the interchangeability of line, drawing and text – ongoing elements of her work. This also kick started her experiments with abstraction.
Keep your eyes peeled on our page as we share the final #NASRetake on Sophie Cape, featuring work straight from the #NASArchiveandCollection.
Image: Sophie Cape, ‘Rests her weary head’,2008, charcoal and soil pigment on paper, 55 x 75 cm, National Art School Collection, donated through the Australian Government’s Cultural Gifts Program by the artist, 2018. Image courtesy and © the artist
#nas #nas_au #NASCONNECT

We’re calling out for any ‘bloody’ heroes th

We’re calling out for any ‘bloody’ heroes that can assist our friends across the road at @stvincentshospitalsydney.
Due to the COVID crisis, there will be an increased demand for existing stocks of blood. Australia is facing massive unprecedented shortages of blood and plasma. If you’re well, have not recently returned from overseas, and you want to do your part by doing something really simple – then please consider donating at an ARCBS collection centre like St Vincent’s Hospital Sydney.
As St Vincent’s Senior Physician @orly_l put it, ‘To you it’s only a pint of blood. But for someone who needed that blood right now, you just donated a life’. Image: St Vincent's Hospital Sydney

Here’s a little inspiration for you this Wednesd

Here’s a little inspiration for you this Wednesday morning. #NASAlumni @luke__sciberras shares with us his studio space of ten years and some pearls of wisdom on how to stay motivated in this current climate. “These terrifying times, like others, test our mettle – our resolve to make work that takes us into and out of our own selves. It is as vital to work through times of grief, fear, environmental catastrophes and medical emergencies as it is to work and explore as ever.
My own urge to paint and draw comes naturally but that doesn’t mean easily. I feel as though some think that painting should be easy and look easy, it’s usually not! Don’t be mistaken, easy paintings look flimsy, to me anyway. Beauty in my view comes from challenge, scrutiny and letting go. The free-fall dance of painting is what keeps me going, makes me who I am.
It makes me look, to see the meaning in what is around me. To express that and for people to respond is an ancient act of love and I’m very lucky indeed to be amongst it.” — Luke Sciberras
Don’t forget to share your current workspaces with us using #NASStudioSessions.
Images: Luke Sciberras. Photo: Gary Crealy; Luke Sciberras’ studio, image courtesy the artist.
#nas #nas_au #NASCONNECT

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National Art School

14 hours ago

NAS alumnus and our next NAS Retake feature artist Robert Owen is still creating in his studio everyday. We asked Owen to share his thoughts with us on staying motivated at home.

"It’s always been uncertain times for artists. The important thing is to develop discipline. If you are working from home, train yourself to be present at every moment; practice observational analysis. Make lots sketches, drawings, doodles and notes. Make a list – a number per day. Aim to fill a book each week. Aim to read a book each week, day, month and work on ideas. If you are going for a walk each day, note changes that intuitively pop-up, through sight, sound, touch and smell. Write, note, sing, dance, these observations down and after three months you’ll have enough material for a show, an album, play or a book of poems or novel.”
– Robert Owen.

Don’t forget to keep sharing your work, practice and home studios with us on Instagram using #NASStudioSessions.

Image: Robert Owen, Studio, Melbourne. Photo: Angela Connor ... See MoreSee Less

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Eligibility for Concession

Concession price is available to holders of a current Centrelink concession card, a NSW travel concession as defined by Transport for NSW, or are Alumni of NAS as defined:

Graduates of the NAS holding a degree, diploma or certificate of the NAS, including graduates of the art department of East Sydney Technical College, Sydney Technical College and Alexander Mackie College of Advanced Education (between 1975-1977); and former students who have successfully completed at least one year of full-time study on any of the award courses included above.

Eligible concession card holders must bring their proof of eligibility to their first class. Alumni eligibility will be checked by the Alumni Coordinator prior to the first class.

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