Kate Tucker

Kate Tucker

Wednesday 12 March
12.45 – 1.30pm
Cell Block Theatre

Hanging pockets of old and new

Kate Tucker’s practice spans painting and sculpture and regularly combines them into hybrid forms. Central to all is a drive to push at the edge of familiar forms in order  to question accepted notions of what art, and the artist, should be. Tucker, in reference to her works from the past decade, will discuss the importance of orienting art practice towards enduring internal drives rather than trying to fit into an accepted rubric of an art career.  

 

Kate Tucker

Kate Tucker is a Melbourne/Naarm-based artist. She has recently exhibited solo at Daine Singer and Bus Projects, and in group exhibitions at London Art Fair, NADA New York, Bendigo Art Gallery and McClelland Sculpture Park + Gallery. A recipient of the 2022 Sunshine Coast Art Prize, she was also a finalist in many prizes including the Woollahra Small Sculpture Prize and the Geelong Contemporary Art Prize. In 2024 Perimeter Editions published a monograph on her work, A community of parts. 

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We’re looking for a Facilities and Risk Manager - Application Deadline Sunday 13 April  The Facilities and Risk Manager effectively manages and organises services and resources for the facilities, workshop, security, WHS, and campus operations of National Art School in Darlinghurst. In addition, they provide strategic support and advice to senior management on all issues related to facilities and campus operations.  Apply at the link in bio.
Facture – the manner in which something is made
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Join us Saturday 12 April for the 2025 Drawing Symposium at the National Art School, presented by the National Centre for Drawing. Featuring a diverse range of national and international speakers, as well as associated performances and exhibitions, this event is held in conjunction with the 24th Dobell Drawing Prize. The symposium will explore the theme of Facture, a concept that emphasises an artwork’s tangible reality as an intentionally crafted object, linking the act of creation directly to its physical presence. Considering an artwork in terms of its facture reveals it as a record of the artist’s decisions, methods, and materials. Discussions will examine how this concept enriches our understanding of drawing and aligns with contemporary and interdisciplinary approaches to art-making. 
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Learn more and buy tickets at the link in bio.
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